Gregory Crewdson
Artist Page
GREGORY CREWDSON
BORN
September 26, 1962. Brooklyn, NY; lives and works in New York
EDUCATION
1988 Yale School of Art, Yale University, New Haven, CT, M.F.A.
1985 SUNY Purchase, NY, B.A..
AWARDS
2004 Skowhegan Medal for Photography, Skowhegan School of Painting and Sculpture
ONE - PERSON EXHIBITIONS
2007
“Drawing on Hopper: Gregory Crewdson/Edward Hopper,” Williams College Museum of Art, Williams, MA
2006
"Fireflies" November 8 - December 9. Skarstedt Fine Art, NY.
“Gregory Crewdson: Fotografien 1985-2005,” Fotomuseum Winterthur, Winterthur, Switzerland;
Museen Haus Lange/ Haus Esters Krefeld, Krefeld, Germany; Fotomuseum Den Haag, Holland.
2005
“Gregory Crewdson: 1985-2005,” Kunstverein Hannover, Hannover, Germany
“Beneath the Roses,” Gagosian Gallery, Los Angeles, CA.
“Beneath the Roses,” Luhring Augustine, New York, NY.
“Beneath the Roses,” White Cube, London, UK.
“Beneath the Roses,” Eleni Koroneou Gallery, Athens, Greece
“Twilight” First Center, Nashville, TN
2003
“Gregory Crewdson. Dream House,” John Berggruen Gallery, San Francisco, CA
2002
New Work 6: Gregory Crewdson, Twilight, Aspen Art Museum, Aspen, CO.
Gagosian Gallery, Beverly Hills, CA.
Luhring Augustine Gallery, New York, NY.
“Gregory Crewdson, Twilight,” White Cube, London, UK.
“Gregory Crewdson,” Galleria D’Arte Contemporanea, Modena, Italy
2001
“Gregory Crewdson: Photographs,” SITE Santa Fe, NM.
2000
“Twilight,” Luhring Augustine, New York, NY.
“Early Work 1987-88,” Partobject Gallery, Carrboro, North Carolina.
“Gregory Crewdson: Disturbed Nature,” Charles H. Scott Gallery, Emily Carr Institute of Art Design, Vancouver, Canada.
1999
“Twilight,” Emily Tsingou Gallery, London, UK. Ginza Art Space, Shiseido Co., Tokyo, Japan.
“Surreal Suburbia,” John Michael Kohler Art Center, Sheboygan, WI.
1998
Anderson Gallery, Virginia Commonwealth University, Richmond, VA.
“Mise-en-Scene: A Selected Survey of Photographs,” The Rosenwald-Wolf Gallery at The University of the Arts, Philadelphia, PA. H&R Projects, Brussels, Belgium Gallerie Charlotte Lund, Stockholm, Sweden.
“Twilight,” Marc Foxx Gallery, Los Angeles, CA. Espacio Uno, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (travels to Salamanca in 1999) 1997 Luhring Augustine, New York, NY. Cleveland Center for Contemporary Art, Cleveland, OH.
1996
Ginza Artspace, Shiseido Co., Tokyo, Japan.
1995
Luhring Augustine, New York, NY. Ruth Bloom Gallery, Los Angeles, CA. Jay Jopling/ White Cube, London, UK. Galerie Samia Saouma, Paris, France. Gallerie Charlotte Lund, Stockholm, Sweden.
“Les Images du Plastir,” Frac des Pays de la Loire, Galerie des Carmes, La Fleche, France.
1994
Palm Beach Community College Museum of Art, Palm Beach, FL.
1993
Feigen Gallery, Chicago, IL.
1992
Houston Center for Photography, Houston
1991
Portland School of Art, Portland, ME. BlumHelman Warehouse, New York, NY. Ruth Bloom Gallery, Los Angeles, CA.
1988
Yale University, New Haven, CT.
ARTIST PROJECTS
1999
“Another Girl, Another Planet,” Exhibition and catalogue organized by Gregory Crewdson and Jeanne Greenberg Rohatyn, text by A.M. Homes. March 23 – April 17, 1999, Lawrence Rubin Greenberg Van Doren, New York, NY.
SELECTED GROUP EXHIBITIONS
2007-2006
“Before the Camera,” Norton Museum of Art, West Palm Beach, FL, October 14, 2006 – January 7, 2007.
“Major Photography Show: A Donation by the Caisse des Dépôts,” Centre Pompidou,
Paris, France.
2006
“Dark,” February 18 – April 16, 2006, Museum Boijmans van Beuningen, NL. (catalogue)
“Garden Paradise,” The Arsenal Gallery in Central Park, Curated by Lacy Davisson Doyle & Clare Weiss, April 20 – May 24, 2006, New York.
“Into Me/Out of Me,” P.S.1 Contemporary Art Center, Queens, NY.
“I Love the Burbs,” January 15-April 9, 2006, Katonah Museum of Art, Katonah, NY. “Fictions Abound,” January 21 – March 5, 2006, Ffotogallery, Cardiff.
“Light in August,” Geoffrey Young Gallery, Great Barrington, MA.
“The Magic Hour of Twilight,” October 2006 (traveling exhibit) V&A, London, U.K. “Photography Portfolio I & II,” Paula Cooper, Carolina Nitsch & The Merce Cunningham Dace Co., Paula Cooper Gallery, New York.
2005
“Speaking with Hands,” Guggenheim Museum - Bilbao
“4. gegenwärtig: Geschichtenerzähler,” Kunsthalle Hamburg
“The Real Ideal: Utopian Ideals and Dystopian Realities,” 17 September - 11 December 2005, Graves Art Gallery, Sheffield Museums and Galleries Trust, Sheffield UK “Suspended Narratives,” Lora Reynolds Gallery, Austin, TX.
“Power of Places: The Berkshires,” Berkshire Museum, Pittsfield, MA.
“Highlights New Acquisitions,” John Berggruen Gallery, San Francisco, CA.
“The World is a Stage. Stories Behind Pictures,” Mori Art Museum, Tokyo, Japan.
“My Own Cinema,” Galerie Georges-Philippe & Nathalie Vallois, Paris, France.
“I Never Thought What You Were Telling Me Was True or a Product of Your Imagination,” Galeria Estrany De La Mota, Barcelona, Spain.
“Contemporary Photography in the Age of Mechanical Reproduction,” New Britain Museum of American Art, New Britain, CT.
2005-2004
“Embracing the Present: The USB Art Collection,” Phoenix Art Museum, AZ.
2004
“Ghost Stories. The Disembodied Spirit,” Austin Museum of Art, TX.
“Dreamwavers,” Yancey Richardson Gallery, New York, NY.
“Dwelling,” Tina Kim Fine Art, New York, NY.
“Behind Closed Doors,Collectors Celebrate The Museum’s Golden Anniversary,” Katonah Museum of Art, Katonah, NY.
“Everything’s Gone Green Photography and the Garden,” The Museum of Photography, Film & Television, Bradfort, UK.
“Animals & Us. The Animal in Contemporary Art,” Galerie St. Etienne, New York, NY. “Big Photos,” Russel Bowman Art Advisory, Chicago, IL.
“Speaking with Hands: Photographs from the Buhl Collection,” Guggenheim Museum, New York, NY
“Sets & Situations. A New Visions Series Exhibition,” Memphis College of Art, Memphis, Tennessee
“Dream House,” Galerie Daniel Templon, Paris, France
2003
“Not Afraid,” Rubell Familly Collection, Miami, FL
“Undomesticated Interiors,” Smith College of Art, North Hampton, MA. “Reality/Fiction: (Re)Constructing Representation,” Jamaica Center Art & Learning, Jamaica, NY
“UnNaturally,” USC Fisher Gallery, Los Angeles, CA
“Disembodied Spirits,” Bowdoin Museum of Art, Brunswick, ME
“Passengens,” Lisboa Photo, Lisbon, Portuga. “Family Ties. A Contemporary Perspective,” Peabody Essex Museum, Salem, MA.
“Twilight,” Grimpel Fils, London, UK.
“Yard,” Socrates Sculpture Park, New York, NY, curated by Robyn Donohue and Alyson Baker.
“Ed Rucha. Photographs: Recent Aquisitions Paintings and Sculptures,” Fisher Landau Center for Art, Long Island City, NY.
“Imperfect Innocence,” The Debra and Dennis Scholl Collection,” PBICA (Palm Beach Institute of Contemporary Art, Lake Worth, FL.
“UnNaturally,” Independent Curators International, New Traveling Exhibitions of Contemporary Art, curated by Mary-Kay Lombino.
“Fantastic,” Mass MoCA, North Adams, MA.
“We Love Painting,” The American Contempororay Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan.
2002
“Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures,” Independent Curators International, New York, NY.
“Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art, “ Samsung Museum of Modern Art, Soel, S. Korea. “Archivo Pons Artxiboa,” Erakusketa - Exposicion, 45.zk.No.45, Koldo Mitxelena Kulturunea, San Sebastian, Spain.
“Fictions. New Narratives in Contemporary Photography and Video,” The Rose Art Museum, Brandeis University, Waltham, MA.
“Vision From America: Photographs From the Whitney Museum of American Art, 19402001,” The Whitney Museum of American Art, New York, NY.
“Looking at America,” Yale Universty Gallery, CT.
“Moving Pictures,” Solomon Guggenheim Museum, New York, NY.
“Art Downtown,” Wall Street Rising, New York, NY.
“Some Options in Realism,” Carpenter Center for the Visual Arts, Lobby Gallery, Harvard University, Cambridge , MA.
“A Thousand Hounds. A Walk with the Dogs Through the History of Photography,” UBS PaineWebber Art Gallery, New York, NY.
“Staged! Contemporary Photography Gregory Crewdson, Rosemary Laing, Sharon Lockhart,” Contemporary Art, Worcester Art Museum, MA.
“Situated Realities. Where Techology and Imagination Intersect,” Maryland Institute College of Art, Decker and Meyerhoff Galleries, Baltimore, MD.
2001
“The Reality Effect,” Contemporary American Photography, Guild Hall of East Hampton, NY.
“Photochrome,” Current Contemporary Photography from New York City Galleries, Silvermine Guild Galleries, New Cannan, CT.
“Bright Paradise,” The First Auckland Triennial, University of Auckland Art Gallery, Auckland, NewZealand.
“Settings and Players: Theatrical Ambiguity in American Photography,“ curated by Louise Neri and Vince Aletti, White Cube, London UK; The City Gallery of Prague,Czech Republic.
2000
“Larry Clark/ Gregory Crewdson,” Eleni Koroneou Gallery, Athens, Greece. “Contemporary Group Show,” Fifty One Fine Art Photography, Antwerpen, Belgium. “Gregory Crewdson, Vik Muniz, Hiroshi Sugimoto,” Spark Inc. Tokyo, Japan.
“The Swamp: On the Edge of Eden,” Samuel P. Harn Museum, Gainsville, FL.
“Alfred Hitchcock,” Musee des Beaux Arts De Montreal, Montreal, Canada.
“Chorus of Light: Photographs from the Sir Elton John Collection,” High Museum of Art, Atlanta, GA.
“Photography Now,” curated by S. Rubin, Contemporary Arts Center, New Orleans, LA. “Threshold: Invoking the Domestic in Contemporary Art,” Contemporary Art Center of Virginia, Virginia Beach, VA.
“Collector’s Choice,” curated by Ann Tenenbaum at Exit Art, New York, NY.
“Post-Historical Narrative in Contemporary Photography,” Rose Art Museum, Brandeis University, Waltham, MA.
“The Swamp: On the Edge of Eden,” Harn Museum of Art, University of Florida, Gainesville, FL.
“Art at MoMA since 1980,” Museum of Modern Art, New York, NY.
“Open Ends: Sets and Situations,” Museum of Modern Art, New York, NY.
“A Beastie Boys Exhibition,” Gavin Brown’s Enterprise, New York, NY.
“Before They Became Who They Are,” Kravets/Wehby Gallery, New York, NY.
1999
“Affinities with Architecture,” Belk Gallery, Western Carolina University, Cullowhee, NC; Carroll Reece Museum, East Tennessee State University, Johnson City, TN; Anderson Gallery School of the Arts, Virginia Commonwealth University, Richmond, VA
“Under/Exposed,” Varldens Storsta Fotoutstallning, Stockholms Tunnelbana, Sweden. “Nature is not Romantic,” The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY.
“As Far as the Eye Can See,” Atlanta College of Art Gallery/City Gallery at Chastain in Atlanta, GA
“Full Exposure: Contemporary Photography,” New Jersey Center for Visual Arts, Summit, NJ.
“Threshold: Invoking the Domestic in Contemporary Art,” John Michael Kohler Arts Center, Sheboygan, WI.
“Summer SurReality,” Judy Ann Goldman Fine Art, Boston, MA.
“Making It Real,” (1997 - 1999), Independent Curators International, New York, NY; The Aldrich Museum of Contemporary Art, Ridgefield, CT; Reykjavik Municipal Art Museum, Reykjavik, Iceland; Portland Museum of Art, Portland, ME; Bayly Art Museum, University of Virginia, Charlottesville, VA; Bakalar Gallery, Massachusetts College of Art, Boston, MA; Emerson Gallery, Hamilton College, Clinton, NY. “Botanica, Contemporary Art and the World of Plants,” Tweed Museum of Art, University of Minnesota, Duluth, MN; Plains Art Museum, Fargo, ND; University Galleries, Illinois State University, Normal, IL; Carleton College Art Gallery, Northfield,
MN; Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University Charleston, IL; Chicago Cultural Center, Chicago, IL; University Gallery, University of Delaware, Newark, DE.
“WILDflowers”, Katonah Museum of Art, Katonah, NY.
“Shot: Una Visione Americanam,” curated by Christiana Perrella, Valentina Moncada, Rome, Italy.
“Animal Artifice,” The Hudson River Museum, Yonkers, NY.
1998
“Mysterious Voyages,” Contemporary Museum, Baltimore, MD.
“The Sound of One Hand: The Collection of Collier Schorr,” Apex, New York, NY. “Pollution,” Claudia Gian Ferrari Arte Contemporanea, Milano, Italy.
“Telling Tales,” The Art Gallery of New South Wales, Sydney,Australia. “Exterminating Angel,” Galerie Ghislaine Hussenot, Paris, France.
“Pop Surrealism,” organized by Harry Philbrick, Aldrich Museum, Ridgefield, CT. “Where: Allegories of Site in Contemporary Art,” The Whiney Museum, New York, NY. “Spectacular Optical,” Thread Waxing Space, New York, NY (catalog)
“The New Surrealism,” Pamela Auchincloss Project Space, New York, NY.
“Veronica’s Revenge,” Stedelijk Museum, Amsterdam, Netherlands.
1997
“Gothic,” ICA, Boston, MA
“American Art Today: The Garden,” The Art Museum at Florida International University, Miami, FL.
“Nature Studies,” Johnson County Community College, Santa Barbara, CA.
“The Set Up,” Barbara Farber Galerie, Amsterdam, Netherlands. ‘97 Kwangju Biennale, Korea. Surrealism, Wexner Center for the Visual Arts, Columbus, OH.
“Pictures This: Photographs from former and current faculty and staff of the Cooper Union School of Art,” Cooper Union Foundation Building, New York, NY.
“Des Fleurs en Mai, Oeuvres de la collection du Frac des Pays de la Loire,” Maison Billaud, Fontenay-le-Comte, France
“To Be Real,” Yerba Buena Center for the Arts, San Francisco, CA
“A Thin Line,” Center for Curatorial Studies, Bard College, Bard, NY
1996
“Everything That’s Interesting Is New,” The Dakis Joannou Collection, Organized by the DESTE Foundation. Athens School of Fine Arts, Athens, Greece.
“Show and Tell,” Lauren Wittels Gallery, New York, NY.
”Prospect 96,” Frankfurter Kunstverin, Frankfurt, Germany
“Nature/Culture and the Postmodern Sublime,” Bard College, Center for Curatorial Studies, Bard, NY.
“Carl Von...” Boras Konstmuseum, Boras, Sweden.
“Perfect World,” University at Buffalo Art Gallery, Buffalo, NY.
“Exposure,” Luhring Augustine, New York,NY.
“Digital Gardens,” The Power Plant, Toronto, Ontario, Canada.
1995
“The Set-Up,” Baumgartner Galleries, Washington D.C.
“Blind Spot,” The MAC, Dallas Artists Research and Exhibition, Dallas, TX.
“1995 Yamantaka Donation: An Exhibition of Photographs to Benefit Tibet House,” Robert Miller, New York, NY (curated by Diego Cortez)
“Hetrick-Martin Institute Benefit,” Paul Morris Gallery, New York, NY
“Brave New World,” Christopher Grimes Gallery, Santa Monica, CA.
“Nature Studies: Gregory Crewdson, Adam Fuss, Hiroshi Sugimoto”, Johnson County Community College, Overland Park, KS.
“La Belle et La Bete,” Musee d’Art Moderne de la Ville de Paris, Paris, France.
“The Friendly Village,” Milwaukee Institute of Art and Design, Milwaukee, WI. “Confronting Nature, Silences Voices,” California State University, Fullerton, CA.
“On the Face of it,” Fotofeis exhibition, City Art Centre, Edinburgh, Scotland.
“Fake Nature,” City Gallery at Chastain, Atlanta, GA.
“Nature Studies,” University of Massachusetts at Amherst Fine Arts Center, Amherst, MA.
“Duchamp’s Leg,” Center for the Fine Arts
“Faculty Work on Paper,” Yale School of Art, New Haven, CT.
“Photography at Berkeley Square,” The City Bank Private Bank Collection, London, UK.
1994
Luhring Augustine, New York, NY.*
“Animal Farm,” Corcoran Gallery, Santa Monica.
“Psycho-pathology of Everyday Life,” Ruth Bloom Gallery, Santa Monica, CA.
“Nature Studies,” Schmidt Contemporary Art, St. Louis, MO.
“A Garden,” Barbara Krakow Gallery, Boston, MA.
“New Work, New Directions 2”, Los Angeles County Museum of Art, Los Angeles, CA. “Recent Photography Acquisitions: Selections from the Permanent Collection,” Whitney Museum of American Art, New York, NY.
“Home Sweet Home and Other Fables,” St. Louis Art Museum, St. Louis, MO.
“Close Encounters,” Ikon Gallery, Birmingham, AL. Visual Arts Gallery, SUNY Purchase, Purchase, NY.
1993
Feigen Gallery, Chicago, IL. Elizabeth Koury, New York, NY.
“Daydream Nation,” Luhring Augustine, New York, NY
“Dirty Birds,” Wooster Gardens, New York, NY
“All the World’s a Stage,” Marsha Fogel Gallery, East Hampton, NY Geoffrey Young Gallery, Great Barrington, MA (curated by Kenneth Goldsmith)
“The Bestiary,” BlumHelman, New York, NY
“Picturing Ritual,” The Center for Photography, Woodstock; Neuberger Museum, SUNY Purchase, Purchase, NY
“Wit on Rye: Humor in Photography,” Islip Art Museum, East Islip, NY
1992
“Our Town,” Burden Galley, New York, NY
“Set and Setting”, Berland Hall Gallery, New York, NY Shoshana Wayne Gallery, Los Angeles
“Perverse Nature,” Mincher Wilcox Gallery, San Francisco, CA White Columns, New York, NY BlumHelman, New York, NY
1991
John Post Lee Gallery, New York, NY
“Pleasures and Terrors in Domestic Comfort,” Museum of Modern Art, New York, NY
ARTIST PUBLICATIONS:
2005
“Gregory Crewdson: 1985-2005,” Kunstverein Hannover, with text by Stephan Berg, Martin Hochleitner, Katy Siegel, Hatje Cantz Verlag, Ostfildern-Ruit, Germany. (exhibition catalogue)
2003
"Twilight: Photographs by Gregory Crewdson," Harry N. Abrams Inc., with essay by Rick Moody, New York, NY.
2002
"Gregory Crewdson Early Work (1986-88)," Emilio Mazzoli Galleria D’arte Contemporanea, Modena, Italy (exhibition catalogue)
2000
"Gregory Crewdson: Dream of Life," text by Darcey Steinke and interview with Bradford Morrow, Ediciones Universidad De Salamanca, Spain.
1998
"Hover," texts by: Rick Moody, Darcey Steinke, Joyce Carol Oates and Bradford Morrow, Artspace Books, San Francisco, CA.
SELECTED PUBLICATIONS AND CATALOGUES:
2006
A.L.G., “Fantasmes,” Psychologies Magazine, April 2006, pp. 126-131.
Ayers, Robert. “The AI Interview: Gregory Crewdson,” artinfo.com, March 2006. Barrett, Terry. Criticizing Photographs: An Introduction to Understanding Images, Fourth Edition, The Ohio State University, McGraw-Hill, New York, NY, pp. 31, 189, Color Plate 4.
Bonenti, Charles. “Museum to sport city image,” Berkshire Eagle, Berkshire, MA. Cahill, Timothy. “Reality Bites,” Berkshire Living, June 2006, Volume 2, Issue 4, pp.
5051.
Celant, Germano and Lisa Dennison. New York New York. Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Milan: Skira Editore
S.p.A., pp. 418-419.
Crewdson, Gregory. Portfolio, C photo magazine, number two, pp. 119-129.
Feist, Silvia. “In die Seele leuchten: Gregory Crewdsons Bilder sind Selbstportraits eines genialen Tiefenpsychologen,” Feuilleton, Die Zeit, Nr. 32, 3 August 2006, pg 37.
Gallivan, Joseph. “from Hopper to Hitchcock (images by Gregory Crewdson),” Portland Tribune, Weekend Life, Friday, April 14, 2006, B1, B6.
Glueck, Grace. “Happiness Is a 2-Car Garage and a Quarter-Pounder Roof Overhead,”
The New York Times, Friday, March 24, 2006, E33.
Gouveia, Georgette. “Artists in suburbia,” The Journal News, (Westchester, Rockland,
Putnam), Sunday, February 5, 2006, Life & Style section, 1E & 4E.
Hoff, Cornelia. “Terribelle,” Portrait section, ARTinvestor, Nr. 01/2006, pp. 40-49. I
Love the Burbs. Katonah Museum of Art, Katonah, NY, 2006, page 14,
(exhibition catalog).
Jaeggi, Martin. “Zurich: The City According to Art (Must-see Summer Exhibitions),”
ArtReview, Issue 01, July 2006, pg. 84. Johnson, Ken. “Grounded in a Century
of Riddles, Geometry and Hallucinations,” The New York Times, Friday, February 24, 2006, E35.
Lasn, Kalle. Design Anarchy, Vancouver: Adbusters Media Foundation, Chapter 8. Luby, Abby. “The Journey to Utopia and back,” Greenwich Times, Sunday, January 29, 2006, D3, D7 & Scarsdale Inquirer (NYC Market Area), weekly March 10, 2006,
pp. 19-20.
Noble, Laura. The Art of Collecting Photography. Switzerland: AVA Publishing SA, pp. 88-89, 180..
Pauli, Lori ed. Acting the Part: Photography as Theatre. London New York: Merrell with National Gallery of Canada, cover, 153, 155 (catalogue).
pressPLAY: contemporary artists in conversation, London & New York: Phaidon Press
Limited, page 129.
Råume, Thema, “Meisterwerke der Kunst,” ART folder 54/06, Landesinstitut für
Schulentewicklung.
Row, D.K., “To the limits: Style, artifice and beauty converge in the photography from the Ovitz Family Collection,” The Oregnonian, Friday, April 07, 2006.
Smith, Jeremy. “Natural wonders: enigmatically artificial,“ Picnic magazine, No. 10,
May/June 2006, pp. 111-116.
Warren, Lynne ed. Encyclopedia of Twentieth-Century Photography, Volume 1 (A-F
Index), Taylor & Francis Group, New York, NY, pp. 341-344.
Woodward, Richard B. “Altered States,” Artnews, March 2006, page 106.
Zollner, Manfred. “Gregory Crewdson,” (with portfolio), fotomagazin, 4/2006, pp. 20-25.
2005
ADBUSTERS, (Art Contributor), Nov/Dec 2005, #62, Volume 13 Number 6. Aletti,
Vince. “Critic’s Notebook. Big Pictures,” THE NEW YORKER, June 6, 2005, p.18
Allen-Mills, Tony. “Desperate House Lives,” THE SUNDAY TIMES MAGAZINE, April 8th, 2005, pp.40- 49
“American Streets”, ESQUIRE, October 2005, p.198-205
Armetta, Amoreen. “Teresa Hubbard & Alexander Birchler,” FLASH ART, January/February, p. 69
Crewdson, Gregory. “The Legacy of Diane Arbus,” V&A Magazine, Winter 05/06, page 45
Cumming, Laura. ”Hitchcock Meets Hopper,” THE OBSERVER, Sunday April 17, 2005 Guner, Fisun. “The Land of Nightmares,” METRO, Monday April, 18, 2005, p 29 Graham-Dixon. Andrew. “American Alienation in Smallsville,” THE SUNDAY
TELEGRAPH, April 24, 2005, p.7
Hackworth, Nick. “Dark Side of the American Dream,” THE EVENING STANDARD
TIME, April 20, 2005 Herbert, Martin.
“Gregory Crewdson. White Cube. East End,” TIME OUT LONDON, May 4-11, 2005,
p. 54
Hodgson, Francis. “Small-Town Perfection,” FINANCIAL TIMES, April 22, 2005
Homes, AM. “Heavy Weather,” ARTREVIEW, April 2005, pp. 28-29 KULTURFLASH, issue number 123, 2005 Maine, Stephanie. “Gregory Crewdson at
Luhring Augustine” (review) ART IN AMERICA, November 2005: pp.176-177 Museo de Arte Contemporáneo de Castilla y León. Colección Vol. I. León: MUSAC, pp. 286, 287, 667.
Pitman, Joanna. “Suburbs of the Heart,” THE TIMES, April 19, 2005
Portfolio Insert: “Gregory Crewdson: Beneath the Roses,” FRAME: THE STATE OF
THE ART – “MYSTERIOUS,” 15, Nov/Dec 05, cover, p 46-47, 57-73, 126
Powers, Bill. “Questions for Gregory Crewdson,” BLACKBOOK, No. 38, Spring 2005,
p.46
Rhodes, Kate. “Remote Control: Contemporary Photomedia,” Melbourne, Victoria, Australia: National Gallery of Victoria, November 23, 2005 – May 7, 2006. (exhibition catalogue).
Roberts, Julie. “Surreal Suburbia” NASHVILLE SCENE, July 14, 2005 p.56
Searle, Adrian. “Too Much Information,” THE GUARDIAN, Tuesday, April 19, 2005 Smith, Roberta. “Gregory Crewdson. Beneath the Roses,” THE NEW YORK TIMES,
Friday June 03, 2005, p. E36 (exhibition review)
Stevens, Mark. “Jaded Beauty,” NEW YORK, May 23, 2005, pp.74-75
Yablonsky, Linda. “Director’s Cut,” TIME OUT NEW YORK, May 5-11, 2005, p. 72
2004-2005
Ward, Ossia. “Here Comes the Hurricane,” MODERN PAINTERS, December/January, pp. 80-83
2004
"ABV 43. The Annual Journal of the National Gallery of Victoria," Art Bulletin of Victoria, NGV
“Andererseits: Die Phantastik. Imaginare Welten in Kunst und Alltagskultur,” Verlag Biblioteck der Provinz, Landes Museen Barnes, Brooks.
"Your First Picasso," THE WALL STREET JOURNAL, April 9, pp. W1, W4
Basualdo, Carlos and Patricia Martin (curators), “Los usos de la imagen: Fotografia, film y video en La Coleccion Jumex,”Buenos Aires: La Collecion Jumex; Espacio; Malba Bonacossa, Ilaria.
"American Twilight," LABEL, The Window Issue, Winter 2003/2004, pp. 70-77 Coetzee, Mark. “Not Afraid. Rubell Family Collection,” PHAIDON, pp. 78-81
Cotton, Charlotte. The Photography as Contemporary Art, THAMES & HUDSON World of Art, p.68
Crewdson, Gregory. "Mark Wyse’s Hyper-Banal World," ART ON PAPER, Artist’s choice section, January/February, pp.42-45
“Death Becomes Her,” V MAGAZINE, No 29, Summer
"Girlhood Through the Mirror," PAPER, Paperviews section, March, p. 42
Grant, Annette. ”Light, Camera, Stand Still: On the Set with Gregory Crewdson,” THE NEW YORK TIMES, Art Section, Sunday. May 30, Section 2, pp. 20-21
“Gregory Crewdson. Extranos Suburbanos,” SPOT, No. 18, pp. 10-11, 32-33, 64-65, 83, 86-87, 104-105, 110-111, 120, 128 (Text in Spanish)
Hirsch, Robert. “Exploring Color Photography. From the Darkroom to the Digital Studio,” 4th edition. McGraw Hill, p. 199
“Inside the Studio. Two Decades of Talks with Artists in New York,” Independent Curators International, Richards, pp. 278-281
Mercier, Clementine. “Desillusion d’Optique,” LIBERATION, Monday August 30th, 2004, pp. 42-43
Obson, Greg. “All is well, and all will be well, in the garden,” ARCHIVE, pp. 6-9 (exhibition booklet)
Pollack, Barbara. “Art Basel. Roland Augustine,” ART & AUCTION, June, p. 72 Pollock, Lindsey. “Why Hopper’s So Hot?” ARTNEWS, October 2004, volume 103, No.9 pp. 156-157
Powers, Bill. “Picture This. Collecting Contemporary Photography, from $20 to $10,000.,” BLACK BOOK, Spring, p. 176
Rae, Ines. “More Plant Matters,” SOURCE, No. 39, Summer 2004 (exhibition review) Skerrett, Penny. “Everything’s Gone Green. Photography and the Garden,” ARCHIVE, pp. 20-27 (exhibition booklet)
“Speaking With Hands. Photographs from The Buhl Collection, Guggenheim Museum Publications, p. 53, 20
"Supernova. Art of the 1990s from the Logan Collection," San Francisco Museum Of Modern Art, D.A.P. / Distributed Art Publishers, INC, New York, p. 110-113
“The Amazing & The Immutable,” Contemporary Art Museum, Institute of Research in
Art, University of South Florida, p. 38
"The Collection," The National Gallery of Victoria, p. 83
Woodward B. Richard. “Shooting Star,” V LIFE, August/September, pp. 20-23
2004-2005
Ward, Ossia. “Here Comes the Hurricane,” MODERN PAINTERS, December/January, pp. 80-83
2004
"ABV 43. The Annual Journal of the National Gallery of Victoria," Art Bulletin of Victoria, NGV
“Andererseits: Die Phantastik. Imaginare Welten in Kunst und Alltagskultur,” Verlag Biblioteck der Provinz, Landes Museen Barnes, Brooks.
"Your First Picasso," THE WALL STREET JOURNAL, April 9, pp. W1, W4
Basualdo, Carlos and Patricia Martin (curators), “Los usos de la imagen: Fotografia, film y video en La Coleccion Jumex,”Buenos Aires: La Collecion Jumex; Espacio; Malba Bonacossa, Ilaria.
"American Twilight," LABEL, The Window Issue, Winter 2003/2004, pp. 70-77 Coetzee, Mark. “Not Afraid. Rubell Family Collection,” PHAIDON, pp. 78-81
Cotton, Charlotte. The Photography as Contemporary Art, THAMES & HUDSON World of Art, p.68
Crewdson, Gregory. "Mark Wyse’s Hyper-Banal World," ART ON PAPER, Artist’s choice section, January/February, pp.42-45
“Death Becomes Her,” V MAGAZINE, No 29, Summer
"Girlhood Through the Mirror," PAPER, Paperviews section, March, p. 42
Grant, Annette. ”Light, Camera, Stand Still: On the Set with Gregory Crewdson,” THE NEW YORK TIMES, Art Section, Sunday. May 30, Section 2, pp. 20-21
“Gregory Crewdson. Extranos Suburbanos,” SPOT, No. 18, pp. 10-11, 32-33, 64-65, 83, 86-87, 104-105, 110-111, 120, 128 (Text in Spanish)
Hirsch, Robert. “Exploring Color Photography. From the Darkroom to the Digital Studio,” 4th edition. McGraw Hill, p. 199
“Inside the Studio. Two Decades of Talks with Artists in New York,” Independent Curators International, Richards, pp. 278-281
Mercier, Clementine. “Desillusion d’Optique,” LIBERATION, Monday August 30th, 2004, pp. 42-43
Obson, Greg. “All is well, and all will be well, in the garden,” ARCHIVE, pp. 6-9 (exhibition booklet)
Pollack, Barbara. “Art Basel. Roland Augustine,” ART & AUCTION, June, p. 72 Pollock, Lindsey. “Why Hopper’s So Hot?” ARTNEWS, October 2004, volume 103, No.9 pp. 156-157
Powers, Bill. “Picture This. Collecting Contemporary Photography, from $20 to $10,000.,” BLACK BOOK, Spring, p. 176
Rae, Ines. “More Plant Matters,” SOURCE, No. 39, Summer 2004 (exhibition review) Skerrett, Penny. “Everything’s Gone Green. Photography and the Garden,” ARCHIVE, pp. 20-27 (exhibition booklet)
“Speaking With Hands. Photographs from The Buhl Collection, Guggenheim Museum Publications, p. 53, 20
"Supernova. Art of the 1990s from the Logan Collection," San Francisco Museum Of Modern Art, D.A.P. / Distributed Art Publishers, INC, New York, p. 110-113
“The Amazing & The Immutable,” Contemporary Art Museum, Institute of Research in
Art, University of South Florida, p. 38
"The Collection," The National Gallery of Victoria, p. 83
Woodward B. Richard. “Shooting Star,” V LIFE, August/September, pp. 20-23
2003
ADBUSTERS, Journal of the Mental Environment, May/June, No. 47.
Allen Anderson, Paul. "About the Light: The Uncomfortable Worlds of Gregory Crewdson and Raymond Pettibon," ART PAPERS, July/August, pp. 12-13.
"Amazing Pictures," THE SANTA FE’S MONTHLY MAGAZINE OF THE ARTS, February-March Austin, Tom.
“Art Loves Miami,” Ocean Drive Art / Basel / Miami Beach, December, pp. 23-26 Badger, Gerry. "Collecting Photography," Mitchell Beazley, p. 29 Bayerische Staatsoper program for Wagner's "Goetterdaemmerung," February 28, p. 27.
Beem, Edgar Allen. "Yale MFA Program," PDN Magazine, May, pp. 66-67.
Bishop, Philip E. "Photography Toys with Reality as an Art Form," ORLANDO SENTINAL, March 22.
Bonetti, Charles. "Focus on the Fantastic; Mass MoCA show looks at ways artists rethink world's realities," THE BERKSHIRE EAGLE, Friday March 7, pp. D1, D3.
Campany, David. "Art and Photography. Themes and Movements," Phaidon, p. 149, 204, 286
"Constructed Realities: Contemporary Photographies," Orlando Museum of Art, pp. 1011 (exhibition catalogue)
Craig, Garret. "Gregory Crewdson. American Sensibility," FLASH ART, October, pp.7476
Crewdson, Gregory, as told to Tim Griffin. "'80s Again," ARTFORUM International, March, p. 71.
"Crosscurrents at the Century’s End. Selections from the Neuberger Berman Art Collection," (exhibition catalogue), p. 31
"Curve. The Female Nude Now," Universe, pp. 62-63
Davy, Jennifer. "No Place Like Home," COME FORWARD; Emerging Art in Texas, Dallas Art Museum, p. 110-11.
DeFoore, Jay. "Crewdson Digs Deep," Behind the Lens, PDN Magazine, May, pp. 2223. "Der Albtraum-Regisseur," Art Das Kunstmagazin, No. 12, December, pp. 45-59 (German Magazine)
Ducklo, Matt. "The Surreal Thing Gregory Crewdson," SURFACE, Fall, pp. 5-6
Eggers, Dave. "Something Might Plummet, Something Might Soar," THE GUARDIAN WEEKEND, August 2, pp.16-17
"Exposing the Mysteries of Daily Life," Connections, PEM (Peabody Essex Museum), September/October, pp. 8-9
"Family Ties. A Contemporary Perspective," Peabody Essex Museum & Marquant Books, pp. 100, 105 (exhibition catalogue)
Ferris, Alisson. "Disembodied Spirits: Spirit Photography and Rachel Whiteread’s Ghost," ART JOURNAL, Fall, pp. 45, 54
Finkel, Jori. "The Twilight Zone: The Market for Gregory Crewdson," ARTINDEX, Winter, pp. 85-86.
"Flights of Fantasy at MoCA; Master of Mystification," THE BERKSHIRE EAGLE, April 4, 2003, pp. D1, D4.
Freedman, Cheryl. "Twilight," WHAT’S ON, LONDON, July 23
"Gregory Crewdson. Into The Light," Juxtapoz, Photo issue, Winter Special, pp.22-29 Hall, Peter. "Gardening at Night," PRINT, July/August, pp. 41-49.
"Looks Just Like Your Neighborhood... Or Does It?" Fantastic! The Limited Edition MASS MoCA Exhibition Catalogue, pp. 14-17, p. 30.
"Making Middle Class Mysterious," Aspen SOJOURNER, Winter/Spring, p. B12. Martin Parr. "New Kids on the Block," ARTREVIEW, International Edition, Vol.1, No. 11, pp. 54-59
Ogilvie, Jen. "Twilight," TIME OUT LONDON, August 13-20
Orvell, Miles. "American Photography," Oxford History of Art, p.180-181
"Outlook. International Art Exhibition Athens 2003. Cultural Olympiad," Published by Hellenic Culture Organization S.A., pp. 124-125 (exhibition catalogue)
OWN, Numero 3, Nature, June, p.54 PDN Magazine, May, p. 91 and cover.
"Subjective Realities. Works from the REFCO Collection of Contemporary Photography," published by the REFCO Group, LTD., New York and Chicago, pp. 84-85
"The Disembodied Spirit," Bowdoin College Museum of Art, p.61 (exhibition catalogue) "The Most Important Photographers Now," AMERICAN PHOTO, May/June, p. 52.
"To Be Honest: I’m Having Trouble Sleeping," BABY, No. 9, Autumn
"Twilight, London," THE GUARDIAN GUIDE, July 21
Schwerfel, Hans Peter. "Kino Und Kunst. Eine Liebesgeschichts," DuMont Literatur und Kunst Verlag, p. 16 (text in German)
Skopik, Steven. "Contemporary Photography and the Recuperation of the Aesthetic Mode," EXPOSURE, The Society for Photographic Education, Volume 36:1, pp. 3-9. "Undomesticated Interiors," Smith College of Art, (exhibition catalogue), pp. 92-93 “UnNaturally,” Independent Curators International, New York, pp.26-27 (exhibition catalogue)
"What Lies Beneath: Gregory Crewdson on Joel Sternfeld," PDN Magazine, May, p. 260.
2002
Arte Contemporaneo Internacional, Consejo Nacional para l acultura y las Artes, Instituto Nacional de Bellas Artes, Museo de Arte Moderna, Mexico (exhibition catalogue)
"Aspen: Aspen Art Museum," CONTEMPORARY, Previews section, December, p. 35 Beatrice, Luca. "Form Follows Fiction," FLASH ART, January-February, p. 91
Blank, Bill. "Too Much. The triumph of high production values," C INTERNATIONAL CONTEMPORARY ART, Fall, Issue # 75, pp. 16-19
"Boy," EXPECT: ART, The What to be Expect Foundation, auction catalog (illustration). Budick, Ariella. "Beneath the Burbs," NEWSDAY, July 7th, (exhibition review at Barbara Gladstone)
Budick, Ariella. "Beyond Appearances in Suburbia," Art Review, L.A. TIMES, July 10th, (exhibition review at Barbara Gladstone)
Budick, Ariella. "Shooting onto the Scene. Photography has become part of the artistic mainstream, as evidenced by the pricey market, but some critics questions the Ôconceptual' meduim's staying power.", NEWSDAY, January 27, pp. D18-D20 Chang, Chris. "Gregory Crewdson," FILM COMMENT, Sound and Vision section, March-April, p. 17.
"Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art," Samsung Museum of Modern Art, pp. 144-145
(exhibition catalogue)
Crager, Jack. "Beneath the Surface," AMERICAN PHOTO, May/June, pp. 62-64. Dannatt, Adrian. “American Standard: (para) Normality and Everyday Life," MODERN PAINTERS, Fall (exhibition review at Barbara Gladstone)
Dannatt, Adrian. "American Standard: (para) Normality and Everyday Life," THE ART NEWSPAPER, July-August, p. 3 (exhibition review at Barbara Gladstone)
Dannet, Adrian. "Gregory Crewdson Luhring Augustine," THE ART NEWSPAPER, No. 125, May, p. 3, (exhibition review).
“Dream House, “ The New York Times Magazine, November 10 2002, pp.39-50 Dykstra, Jean. Photo Book Beat section, ART ON PAPER, July-August, pp. 82-83 (book review, Twilight)
Gan, Stephen, Cecelia Dean, and James Kaliardos. "Dreaming in Print a Decade of Visionaire," pp. 165, 179, 203
Girst, Thomas. "Auf Furchtbarem Boden," SUDDEUTSCHE ZEITUNG MAGAZINE, October 11th, No. 44, pp. 26-31(German publication)
Glueck, Grace. THE NEW YORK TIMES, Friday, May 31, p. E39 (exhibition review). "Goings on About Town," THE NEW YORKER, July 15th, pp. 18-19, (exhibition review at Barbara Gladstone)
"Gregory Crewdson Twilight," OBSCUUR De Verbeelding Van Stad En Architectuur, No. 24 (text in Flemish, Belgian)
Halkin, Talya. "American Standard: (para) Normality and Everyday Life," THE NEW YORK SUN, Gallery-Going, Thursday, July 18th, (exhibition review at Barbara Gladstone)
Johnson, Ken. THE NEW YORK TIMES, Friday, July 12, p.E38 (exhibition review at Barbara Gladstone)
Kerr, Merrily. "Gregory Crewdson Luhring Augustine," exhibition review, FLASH ART, July-September, pp. 119-120.
Kazanjian, Dodie. "Twilight Zone," VOGUE, May, pp. 268-273, 299, 300. MacLeod, Chris.
"Twilight of the Soul," NEW YORK RESIDENT, June 10, p. 47 (exhibition review). Moddy, Rick. "Made in the Shade," GUARDIAN UNLIMITED, Saturday, April 6 Moreno, Gean. "The Beginning of the End," ART PAPERS MAGAZINE, September/October, pp. 22-27(illustration and cover)
Myers, Julian. "American Standard, Barbara Gladstone Gallery, New York," reviews, FRIEZE, issue 70, October, pp. 86-87.
"New Work 6: Gregory Crewdson, Twilight," Concierge Guide to Aspen and Snowmass Colorado, December.
Oksenhorn, Stewart. "Movies on his Mind," Aspen Times Weekly, Arts & Entertainment, Saturday & Sunday, December 21 & 22, pp. B1, B9.
"Photography Past Forward," Aperture 50, 50th Anniversary 1952-2002, Copyright 2002 Aperture Foundation, p. 215
Pitman, Joanna. "In Every Dream Home..." THE TIMES (British publication), Wednesday, May 1, p. 13 (exhibition review).
Pollack, Barbara. "Bittersweet Dreams," ARTNEWS, October, p. 110 (book review and illustration).
PORTFOLIO. The Catalogue of Contemporary Photography in Britain, No. 35, pp. 2831, 62.
"Portofolio: Gregory Crewdson Sees Stars in His 'Dream,'" THE NEW YORK TIMES, November 10, pp.39-50
Ratcliff, Carter. "Sensibility on Parade," Summer Shows II, ART IN AMERICA, No. 10, October, pp. 73-75. Review, Dallas Museum of Art, 2001-2002, p.24
Sobel, Dean. "Ideas and Images," Aspen Magazine, Holiday issue, pp. 74-80, 213.
Sam Collects, ContemporaryArtProject, p.33-34 (exhibition catalogue)
Sonkin, Rebecca. "Gregory Crewdson, Luhring Augustine, New York," TEMA CELESTE, September/October, No. 93, exhibition review
Schwendener, Martha. "American Beauty. Two artist-curated group shows explore our national psyche," TIME OUT NEW YORK, August 8-15, p. 58.
Schwendener, Martha. "Gregory Crewdson Luhring Augustine," TIME OUT NEW YORK, May 30-June 6, p. 61 (exhibition review).
Tebbs, Paul. "Suburban Darkness," SOURCE (10th Anniversary issue), Issue 31, Summer, pp. 46-47 (exhibition review at White Cube 2)
"Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures," Independent Curators International, New York, pp. 48-49 (exhibition catalogue)
"The Good Word; Visual Arts," The Aspen Times, Saturday-Sunday, December 14-15, p. B10.
"The New Season / Art," THE NEW YORK TIMES, Sunday, September 8. The Santa Fe's Monthly Magazine of the Arts, February/March
Tuschman, Sari Anne. "Finding the Extraordinary in the Ordinary," Aspen Daily News, December 5-11, p. 4.
"Twilight: Photographs by Gregory Crewdson," MODERN PAINTERS, Summer, p. 129, book review section
Valdez, Sarah. PAPER MAGAZINE, Gallery Reviews, May, p. 126.
Valdez, Sarah. PAPER, Gallery reviews section, August, p. 134.
Vincent, Steven. "The Producers," ART & AUCTION, June, pp. 118-127 (illustration). "Vision from America: Photographs from the Whitney Museum of American Art, 19402001," The Whitney Museum of American Art, New York (exhibition catalogue) "Welcome to Mr. Crewdson's Twilight Neighborhood," CONDUIT, Interface section, Number 12, Spring (interview).
Wingfield, Jonathan. "Trouble Everyday," NUMERO (French publication), No. 33, May, pp. 38-39 (illustration).
2001
Ammirati, Dominick. "Real Life and Elsewhere," Modern Painters, volume 14, No. 2, Summer
"Bright Paradise: Exotic History and Sublime Artifice", The 1 st Auckland Triennial, Auckland Art Gallery Toi o Tamakiwith Artspace, The University of Auckland, exhibition catalogue, Auckland Art Gallery Toi o Tamaki, p. 51
Budnik, Ariella. "When Photographers are Part of the Picture," New York Newsday, Sep. 7
Clemmer, David. "Gregory Crewdson Photographs," The Magazine, April "Little Words," Dunlop Art Gallery, September 5 - October 25 1998 (exhibition catalogue), Kiendel Form Follows Fiction, Castelo di Rivoli, Museo d'Arte Contemporanea, Fondatione CRT Cassa di Risparmio di Torino, (illustrations), (exhibition catalogue) Foschi, Gigliola. "Gregory Crewdson," Zoom International, March -April, pp. 58-61 Garriot-Stejskal, Richard. "SITE SF Exhibit Plays with Photo, Film Media," Crosswinds Weekly, Art Scene, March 29-April 5.
Green, Alison. "Why Photography," Art Monthly, May, p. 247 "If you could have any five artworks for your home, what would you choose? You have five minutes...," Frieze, November-December, Tenth Anniversary Issue, pp. 65-80 Interview by: Hancock, Nelson. "Making a Film in a Single Frame," The New York Times Magazine, March 25, pp. 51-53
Kinzer, Stephen. "Santa Fe Dusts off a venerable Theatre and a New Reputation," The New York Times, Tuesday April 17th, pp.1-2
Kunstler, J. Howard. "Man in Nature: The Fiasco of Suburbia," Orion Magazine Kyuryodo.
"The Ginza Art Space 75-00," Photography, text in Japanese, illustrations, pp. 100-101, Shiseido Co. LTD Loke, Margarett.
"O. Winston Link, Photographer, Dies at 86.” Scott, Witney. "Art: East End Retrospective," Manhattan File, Summer, p. 28
"Snapshots from Suburbia," The Evening Standard, March 19 "Settings & Players: Theatrical ambiguity in American photography," exhibition catalog, exhibition curated by Louise Neri and Vince Aletti, White Cube, London
"Settings and Players," Time Out London, April 4-11, p. 53
Spiegler, Marc. "At the Fair: Art Basel," Art and Auction, June, p. 60
Steven, Vincent. "Alice in Levittown," Art & Auction, February, pp.107-112 "Survey of Modern Photography at Guild Hall," Southhampton Press, August 9, B6
"The Dividing Lines Between Real Life and Fantasy in Photography," The Independent Sunday, March 25
Williams, Carla. "Suburban Netherworld," The Santa Fe Reporter, Visual Arts, February, pp. 14-20.
"Photographs by Gregory Crewdson," Indepht Arts News, Absolutearts.com
2001-2000
"Modern Contemporary Art at MoMA Since 1980," p. 216, exhibition catalogue for Open Ends, September 2000-January 2001, The Museum of Modern Art, New York
2000
Aletti, Vince. The Village Voice, March 7, p. 84
Baer, Josh. "Photo Finish," New York Magazine, March 20, p.14
Brusatin, M. and C.G. Ferrari. "Pollution," Charta, p.37
Budick, Ariella. "Shifting Landscapes," New York Newsday, August 20 Bulletin of the Detroit Institute of Arts, Annual Report, vol. 74, N. 3/4
Cohen, Michael. "Spotlight: Gregory Crewdson," Flash Art, Summer, Vol. XXXII page 111
Elizabeth Hayt, "Gregory Crewdson: Digging Up the Surreal Underside of Ordinary Life," New York Times, February 20, 2000, pages 42 & 44
Goldberg, Vicki. "How Worshipers, Too, Can Denature Nature," The New York Times, September 8
Goodman, Jonathan. Parachute 99, July-September, pp. 55-56
Homes, A.M. "Hot Shots," Harper's Bazaar, February, pages 250-255, and 280-281. Johnson, Ken. "Review," The New York Times, March 17, p. E37
Leffingwell, Ed. Art in America, July, pages 103-104
Mahoney, Robert. "Close Encounters," Artnet.com, 3/31/00
Merrit, R. and M. Barth, "A Thousand Hounds," Taschen, p.387-88
Paini, Dominique and Guy Cogeval, ed., "Fatal Coincidences, Hitchcock and Art," Montreal: Montreal Museum of Fine Arts
Pollack, Barbara. "Lights, Action, Camera!" ART News, February, Volume 99, Number 2, p. 126-131, illustration p. 128
Scott, Andrea K. "Review," Time Out New York, March 9-16, p. 57, illus
"Suburbia," Detour Magazine, Compass Section, p. 50, illus The New Yorker, Photography Section, March 6, p. 17
"The Swamp: On the Edge of Eden," Harn Museum of Art, University of Florida, exhibition catalogue, p.55
1999
"Animal Art Show," The New York Times, October 3, p. unknown
"Animal Artifice," The Riverdale Press, November 25, p. B2
"'Animal Artifice' Opens October 8 at The Hudson River Museum," Antiques and the Arts
"Animal Artifice on view at Hudson River Museum, Scarsdale Record Review, October 1
Barrett, David. "Reviews- Gregory Crewdson," Art Monthly, March, p. 26-27
“Botanica, Contemporary Art and the World of Plants," Tweed Museum of Art University of Minnesota Duluth, exhibition catalogue
Byrd, Cathy. "Land, Lots of Land, Creative Loafing,” February 13, Vol. 27, No. 39 Davis, Mike. "How Eden Lost It's Garden," Perspecta 30 The Yale Architectural Journal, pp. 69-75 (photo only) Evening Standard, Hot Tickets, Friday, February 5
Exley, Roy. "Alien Will," Creative Camera, Issue 356.
Fox, Catherine. "The New Landscapes," The Atlanta Journal, February 19, Q8
"Full Exposure: Contemporary Photography," New Jersey Center for Visual Arts, Summit, NJ, p. 5 & 16
Golden, Reuel, "Sell, Sell," BJP, January 13
"Gregory Crewdson: Engine of Change," The New York Times Magazine, September 19, pp. 102-103
Hanatsubakii, May, No. 587, Published by Shiseido, p. 40
Henry, Max, "Another Girl Another Planet," Flash Art, May/June 1999
Kent, Sarah. Time Out, March 3-10, No. 1489 L.B.
"Twilight at Tsingou," The Art Newspaper, No. 89, February, p. 69
Lembke, Janet. "The Riddles of the Sphinx," Oxford American, Sept./ Oct., pp. 101, (illustration)
Lombardi, D. Dominick. "A Show That Shapes Perception of Animals," The New York Times, December 5, p. 20
Lugara, Joe. "Prepare Yourself for 'Full Exposure," Summit Observer, May 20 "Male/Female," Aperture 156, Summer, p. 89
Miller, Barbara L. "The New Flesh," Afterimage, March-April, p. 7
"Renewal," Lincoln Center Theater Review, Summer, Issue Number 22, Illustrations only, pp.4-11
Shave, Stuart, ed. "Scenes from the Edge," ID Magazine, March
"Shot: Una Visione Americana," curated by Christiana Perrella, Valentina Moncada, Rome, exhibition catalogue
Sumpter, Helen. Evening Standard, Hot Tickets, February 4 The Magazine- Santa Fe's Monthly Magazine of the Arts, February, pp. 2-3, illus.
"Visionaire 28," Visionaire Publishing, New York Weekly, October 8, p. 25
1998
Bowley, Astrid. "Ordinary? Or Extra-Ordinary?" Philadelphia Weekly, September 16, p. 44
Carter, Chris. "The Art of the X-Files," Harper Prism, Harper Collins Publishers, p. 39 Chu, Ingrid. "The American Lawn: Surface of Everyday Life," Frieze, Issue 43, Nov. - Dec., p. 95
Coleman, A.D. "Letter From New York," PHOTONEWS, No 5, May, p. 6 (article in German)
Damianovic, Maia. Review, Tema Celeste, N69-70, July-September, pp. 56, 105 Dietsch, Scott. "The New Surrealism Gets Real," The Villager, Nov. 4, Arts & Entertainment, p. 1
Dillon, David. "Domestic arrangements: a variety of shows look at everything from sitcom houses to men and women working as design partners," Architectural Record, December, pages 25-29
Ericsson, Lars O. "Samhallskritik med ljuddampare," Dagens Nyheter, October 16 "Gregory Crewdson," Tema Celeste, September, pg. 55 (Italian), pg. 105 (English). Griffin, Tim. "Gregory Crewdson," ON PAPER, Vol. 2, No. 2, Nov.-Dec. p. 47
"In Connecticut, Where Caravaggio Landed," The New York Times, July 17, pg. E35. Jana, Reena. "To Be Real," Flash Art, March - April, p. 81
Janus, Elizabeth and Marion Lambert (Ed.) "Veronica's Revenge; Contemporary Perspec-tives on Photography; LAC Switzerland," Scalo Zurich- Berlin- New York. Mahoney, Robert. Spectacular Optical-Review, Time Out New York, June 18-25. "Pollution," Claudia Gian Ferrari Arte Contemporanea, Milano, exhibition catalogue. Princenthal, Nancy. Review of Spectacular Optical accompanying catalogue. Bookforum, Fall. Rice, Robin. "The Body in the Backyard," Philadelphia City Paper, October 1, p. 32
Saltz, Jerry (Ed.) "An Ideal Syllabus," Frieze (supplement), Issue 43, November - December
Smith, Roberta. "Art in Review -Spectacular Optical," The New York Times, Friday, July 3, E 29
Sozanski, Edward J. "Unmotherly Nature and the Macabre Mundane," The Philadelphia Inquirer, Friday, October 2
"Spectacular Optical-Miami," Flash Art, November-December.
Steinke, Darcey. "Gregory Crewdson Mise-en-Scene," Rosenwald-Wolf Gallery, The University of the Arts, exhibition brochure "Surreal Suburbia," Seen - The Canon World of Photography, Number 8, Autumn, pp.1619
Van De Walle, Mark. "Genre Benders," Art & Auction, February, pp. 86-91, 123 Zimmer, William. "Landscape, the Site, The Meaning of Place," The New York Times, August 9, 1998, Arts and Leisure p. 12
1997
American Art Today: The Garden, The Art Museum at Florida International University, Miami, Florida, exhibition catalogue
Arning, Bill. "Still Lives," WORLD ART MAGAZINE, Issue #14, pp. 67-71
"A Thin Line," Center for Curatorial Studies, Bard College, Exhibition catalogue Coleman, A.D. ARTNEWS, November, pp. 225-226
Duehr, Gary. "'Gothic is spooky," THE TAB, May 6
"Fall Preview / Photography," NEW YORK MAGAZINE, Sept. 8, p. 116
"Goings on About Town," THE NEW YORKER, October 6 1997, p.31
"Gregory Crewdson," BLIND SPOT, Issue 10 Halle, Howard.
"Free Floating," TIME OUT, NEW YORK, Sept. 4-11, Issue No. 102, p. 49
Hicks, Robert. "Nature Meets Suburbia in Disquieting Dramas," THE VILLAGER, Sept. 3,
Kimmelman, Michael. THE NEW YORK TIMES, Sept. 26, E37
King, Matthew. "Dreams of the (Un)Real," COLUMBIA SPECTATOR, Sept. 18, p. 4 "Making It Real," Review, February 1, p. 20
Mills, Christopher. "Gothic Life," THE BOSTON PHOENIX, May 2
Morrow, Bradford. "Gregory Crewdson," BOMB, Fall 1997, pp 38-43
Petry, Michael (Guest Editor). ART AND DESIGN MAGAZINE, Profile No. 54
Spector, Nancy. "There Goes the Neighborhood: Gregory Crewdson's Suburban Chill," GUGGENHEIM MAGAZINE, Spring, pp. 24-31
Smith, Roberta. "The Horror: Updating the Heart of Darkness," THE NEW YORK TIMES, June 6.Vol. 67, No. 15
Schwendener, Martha, "Gregory Crewdson, 'Hover,'" TIME OUT NEW YORK, Oct.2-9, Issue No.106, p. 46
Surrealism, Wexner Center for the Visual Arts, Columbus, Ohio, Exhibition catalogue. Temin, Christine. "At ICA, art that goes bump in the night," THE BOSTON GLOBE, April 25 THE MIAMI HERALD, January 19
Turner, Elisa. "FIU Show Strolls Through Gardens of Art History," THE MIAMI HERALD, January 12
Zimmer, William. "Life With A Twist: Fiction - Based Photography, Realism in Paint," The New York Times, Connecticut Section, Sun. March 30, p. 12
1996
Feaster, Felicia. "Fake Nature," ART PAPERS, January/ February, Volume 20, Number 1
"Small Budgets, Large Ambitions," ARTNEWS SPECIAL, January, p. 50
"Art," MARIE CLAIRE, May, Number 5, p. 36.
"A Sense of Place," BLIND SPOT PHOTOGRAPHY, Issue 7, pp. 26-29.9
Dompierre, Louise. "Gregory Crewdson," DIGITAL GARDENS: a WORLD IN MUTATION, The Power Plant Contemporary Art Gallery-Exhibition Catalog, Sept. 27-Dec. 22, pp 74-82
Dykstra, Jean. "Creepy Critters," BROOKLYN BRIDGE, January, pp. 23-25
"Art: Studio Voice: Cut Up," STUDIO VOICE, May, pp.75
Feaster, Felicia. "Interview with Gregory Crewdson," ART PAPERS, Sept./Oct., Volume 20, pp. 8-13
"Life & Culture," AERA, March 15, Number 16, pp. 73
"Exhibition." HOT DOG PRESS, Number 400, March 10,
Perron, Joel. "Beauty in the Beasts," THE DAILY YOMIURI, May 17, pp 16A. "Exhibition," DREAM, May, Number 376, pp. 29
"American Art Today: The Garden," THE ART MUSEUM at Florida International University, exhibition catalogue, Miami THE NOW ART BOOK, Japan: Shiseido and Korinsha Press & Co., Ltd.
"Gregory Crewdson," PHOTO WAVE: MINOLTA CAMERA CLUB, May, Number 258, pp. 39-42
"Digital Gardens: A World in Mutation," THE POWER PLANT, Toronto (exhibition catalog) Contemporary Art Gallery at Harbourfront Centre
1995
Adams, Brook. "Gregory Crewdson at Luhring Augustine," ART IN AMERICA, June 1995:107-108
Aletti, Vince. "Suburban Crawl," THE VILLAGE VOICE, March 20: 78
Auer, James. "Victimization, Indignation Dwell in Friendly Village," MILWAUKEE JOURNAL SENTINEL, Monday, October 2, pp 2E
Crenshaw, Holly. "It's Art to Fake Mother Nature,"
Crewdson, Gregory. "A.M. Homes in Wonderland," BOMB, Spring, pp. 38-42.
Curtis, Cathy. "Works are a National Selection." Orange County Art Review. Los Angeles
Darling, Michael. "Gregory Crewdson." ART ISSUES, Summer:38
Dorleans, Francis. "La Fascination des Contraires," PARIS VOGUE, June 1995: 21 Ericsson, Lars O. "Smygande och klibbiga hot," (review of one-person exhibition at Charlotte Lund) Dagens Nyheter: October 20.
Evans, Max. "Artists focus on nature through photography," THE OLATHE DAILY NEWS, August 5/6, Section C, p. 1
Feaster, Felicia. Review of "Fake Nature": City Gallery at Chastain. Art Papers, January/February, Volume 20 , Number 1, p. 48
"Faculty Work on Paper," The Yale School of Art, New Haven, CT
Goldberg, Vicki. "Photography," NEW YORK, September 23
Grabner, Michelle and Brad Killam. "The Friendly Village," ART MUSCLE, October/November, pp. 14-15
"Gregory Crewdson" review of one-person exhibition at Samia Saouma. LIBRATION, June 16, p. 32
Homes, A.M. "Pure Crewdson," VANITY FAIR, March: 116
Klabin, Karen. "Shutter to Think," DETOUR, March: 124
Hagen, Charles. "Gregory Crewdson," THE NEW YORK TIMES, March 3: C21.
Kent, Sarah. "Gregory Crewdson at White Cube," THE OBSERVER REVIEW, March 12
Kandel, Susan. "Unnatural Urges," THE LOS ANGELES TIMES, March 23: F4 Kimmelman, Michael. "Joys and Terrors on the Home Front," THE NEW YORK TIMES, September 27
"La Belle et La Bete: Un Choix De Jeunes Artistes Americains," Musee Moderne de la Villede Paris, text by Lynn Gumpert, exhibition catalogue
Matre, Towe. "Djungens lag rader i Crewdsons varld," (review of one-person exhibition at Charlotte Lund), Svenska Dagoladet November 7 "On the Face of It," FOTOFEIS-Exhibition Catalog, Edinburgh, Scotland, p. 108.
"People Meet the Future," AMERICAN PHOTO, July-August 1995: 16
Sanders, Mark. "Gardens of Earthly Delight." DAZED & CONFUSED, #11:80-3
Schorr, Collier. "Close Encounters," FRIEZE, March-April:44-7
Stephenson, Kirsty. "Photography at Berkley Square," The Citibank Private Bank, London, August: 14 "The Friendly Village," ART MUSCLE, vol. 10, issue 1, October/November, p. 15 Times, Tuesday, September 26
1994
Artner, Alan. "Photography exhibit exposes 'plot' against suburban sprawl," CHICAGO TRIBUNE, October 7:Section 7, p. 58
Grant, Simon. "Close Encounters, Ikon Gallery," ART MONTHLY, October, p. 37-8 "Picturing Ritual," Neuberger Museum of Art, SUNY Purchase, Purchase, NY, exhibition catalogue
Sheets, Hilarie M. "Gregory Crewdson: The Burbs and the Bees," ARTNEWS, October, p. 97-8.
1993
Aletti, Vince. "Voice Choice: 'Daydream Nation'," THE VILLAGE VOICE, November 10, p. 76
"All the World's a Stage." DAN'S PAPERS, July 30, p. 91
Braff, Phyllis. "Challenges, Surprises and Realism in 4 Shows," THE NEW YORK TIMES, August 1: section 12, p. 10
Hagen, Charles. "Photography: American Daydream Nation," THE NEW YORK TIMES, August 6: C27.
Homes, A.M. "Dream of Life," ARTFORUM, April, p. 70-3
"Home Kinks," NEW OBSERVATIONS, July-August, p. 16-17 (illustration) Levin, Kim.
"Voice Choice," THE VILLAGE CHOICE, July 27, p. 79
Sischy, Ingrid. "Photography in Review: Daydream Nation," THE NEW YORK TIMES, August 23-30, p. 25
"The Jim and Greg Show," BLIND SPOT, II, Fall
"The Rite Stuff," WOODSTOCK TIMES, November 18, p. 15
1992
"Bloom Boom: AN INTERVIEW Bouquet of Fashion, Photography, and Art," INTERVIEW, April, p. 84
Bonetti, David. "Gallery Watch," SAN FRANCISCO EXAMINER, May 29
Dector, Joshua. "Gregory Crewdson," ARTS, March, pp. 84-5
"Fictive Strategies," HOUSTON CHRONICLE, September 6
Frohman, Mark. "Gender, Fiction, and Photography," PUBLIC NEWS 13, September 30 Harris, Melissa. "Our Town," APERTURE, Spring: cover
Johnson, Patricia C. "Photographers Take Another Look," HOUSTON CHRONICLE, September 27
Patton, Phil. "Portfolio." ESQUIRE, August, p. 41
"Voice Choices," THE VILLAGE VOICE, November 10, p. 76
1991
Aletti, Vince. "Voice Choices," THE VILLAGE VOICE, December 10
Alhadeff, Gina. "Portfolio," XXI CENTRUY, Fall Galassi, Peter.
"Pleasures and Terrors in Domestic Comfort," Museum of Modern Art, New York, exhibition catalogue
Keyes, Norman Jr. "Vivid Views of Life at Home," THE CHRISTIAN SCIENCE MONITOR, October 21
McDermott, Alice. "Dark Domestic Visions," THE NEW YORK TIMES, October 13 McGee, Celia. "Fast Track," NEW YORK, November 11. Squiers, Carol. "Domestic Blitz: The Modern Cleans House," ARTFORUM, September
Strand, Mark. "Home Truth," HOUSE AND GARDEN, September
ARTICLES WRITTEN BY ARTIST:
2004
“Aesthetics of Alienation,“ TATE ECT., Issue 1, Volume 1, Summer, pp. 42-47
TEACHING POSTIONS
1993-Present Yale University, New Haven, CT
1993 Vassar College, Poughkeepsie, NY
1990-93 Cooper Union, New York
1988-1993 SUNY Purchase, Purchase, NY
1990 Sarah Lawrence College, Bronxville, NY
MUSEUM COLLECTIONS
The Herbert F. Johnson Museum of Art, Ithaca, New York The Broad Family Foundation, Santa Monica, CA The Malba-Collection, Buenos Aires, Argentina The American Contemporary Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan The Art Institute of Chicago The Rose Art Museum, Brandeis University, Waltham, MA Brooklyn Museum of Art, Brooklyn, NY Los Angeles County Museum of Art, Los Angeles John D. and Catherine T. Macarthur Foundation, Chicago Metropolitan Museum of Art, New York Museum of Fine Arts, Boston Museum of Modern Art, New York Princeton University Art Museum, Princeton, NJ Saint Louis Art Museum, Saint Louis, MO San Francisco Museum of Modern Art, San Francisco Whitney Museum of American Art, New York National Gallery of Victoria, Melbourne, Australia
