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Cindy Sherman

Cindy Sherman, <i>Untitled #147</i>, 1985
color photograph 
47 1/2 x 70 1/2 inches (120.7 x 179.1 cm)
Cindy Sherman, Untitled #147, 1985
color photograph
47 1/2 x 70 1/2 inches (120.7 x 179.1 cm)
Cindy Sherman, <i>Untitled #328</i>, 1996
Cibachrome
45 x 33 inches (114.3 x 83.8 cm)
Cindy Sherman, Untitled #328, 1996
Cibachrome
45 x 33 inches (114.3 x 83.8 cm)
Cindy Sherman, <i>Untitled #129</i>, 1983
Color photograph
43 1/4  x 31 3/4 inches (109.9 x 80.6 cm)
Cindy Sherman, Untitled #129, 1983
Color photograph
43 1/4 x 31 3/4 inches (109.9 x 80.6 cm)
Cindy Sherman, <i>Untitled #259</i>, 1992
Color photograph
60 x 40 inches (152.4 x 101.6 cm)
Cindy Sherman, Untitled #259, 1992
Color photograph
60 x 40 inches (152.4 x 101.6 cm)
Cindy Sherman, <i>Untitled #405</i>, 2000
chromogenic C-print
32.87 x 21.06 inches (83.5 x 53.5 cm)
Cindy Sherman, Untitled #405, 2000
chromogenic C-print
32.87 x 21.06 inches (83.5 x 53.5 cm)
Cindy Sherman, <i>Untitled #224</i>, 1990
Color Photograph
48 x 38 inches (121.9 x 96.5 cm)
Cindy Sherman, Untitled #224, 1990
Color Photograph
48 x 38 inches (121.9 x 96.5 cm)
Cindy Sherman, <i>Untitled #327</i>, 1996
cibachrome print
57 1/2 x 36 3/8 inches (146.1 x 92.4 cm)
Cindy Sherman, Untitled #327, 1996
cibachrome print
57 1/2 x 36 3/8 inches (146.1 x 92.4 cm)
Cindy Sherman, <i>Untitled #35</i>, 1977
black and white photograph
8 x 10 inches (20.3 x 25.4 cm)
Cindy Sherman, Untitled #35, 1977
black and white photograph
8 x 10 inches (20.3 x 25.4 cm)
Cindy Sherman, <i>Untitled Film Still #15</i>, 1978
Black and White photograph
10 x 8 inches (25.4 x 20.3 cm)
Cindy Sherman, Untitled Film Still #15, 1978
Black and White photograph
10 x 8 inches (25.4 x 20.3 cm)
Cindy Sherman, <i>Untitled #196</i>, 1989
Color photograph
67 x 44 inches (170.2 x 111.8 cm)
Cindy Sherman, Untitled #196, 1989
Color photograph
67 x 44 inches (170.2 x 111.8 cm)
Cindy Sherman, <i>Untitled #85</i>, 1981
Color photograph
24 x 48 inches (61 x 121.9 cm)
Cindy Sherman, Untitled #85, 1981
Color photograph
24 x 48 inches (61 x 121.9 cm)
Cindy Sherman, <i>Untitled #119</i>, 1983
Color photograph
17 x 35 1/2 inches (43.2 x 90.2 cm)
Cindy Sherman, Untitled #119, 1983
Color photograph
17 x 35 1/2 inches (43.2 x 90.2 cm)
Cindy Sherman, <i>Untitled Film Still #30</i>, 1979
Black and White photograph
30 x 40 inches (76.2 x 101.6 cm)
Cindy Sherman, Untitled Film Still #30, 1979
Black and White photograph
30 x 40 inches (76.2 x 101.6 cm)
Cindy Sherman, <i>Untitled #87</i>, 1981
Color photograph
23.62 x 48.03 inches (60 x 122 cm)
Cindy Sherman, Untitled #87, 1981
Color photograph
23.62 x 48.03 inches (60 x 122 cm)
Cindy Sherman, <i>Untitled #146</i>, 1985
Color photograph
72.5 x 49 inches (184.2 x 124.5 cm)
Cindy Sherman, Untitled #146, 1985
Color photograph
72.5 x 49 inches (184.2 x 124.5 cm)

Biography

Cindy Sherman
(Born 1954)

Cindy Sherman was born in Glen Ridge, New Jersey in 1954. She graduated from Buffalo State College in New York in 1976. Early on, Sherman established photography as her primary medium of expression. She is widely known for her self-reflexive photographs and films in which she impersonates a wide variety of characters. In general, her photographs are a commentary on the female condition and the stereotypes that confine women’s role within society and culture. One of Sherman’s most famous series is Untitled Film Stills from 1979 shot in black and white, in which she poses as characters reminiscent of Hollywood stars. Later in her career, Sherman introduced color to her work and continued creating series that focused on different themes. Images of sexuality, the perverse, the fantastic and even portraits made in the style of the old masters invite the viewer to interpret uncanny narratives centered around the female gender and the role it plays within our culture.

Cindy Sherman has exhibited extensively throughout the United States and Europe. Recent solo exhibitions of her work have been held in institutions such as the Jeu de Paume in Paris and Kunsthaus in Bregenz, Austria in 2006, the Contemporary Art Museum in St. Louis in 2005 and the Scottish National Gallery of Modern Art in Edinburgh in 2003. She has also participated in exhibitions in major institutions such as the Tate Modern and the Barbican Art Gallery in London, the Centre Georges Pompidou in Paris, and the Museum of Modern Art in New York (which is currently planning a major retrospective of her work that is slated for early 2012). Sherman has also participated in two Venice Biennales and five Whitney Biennials, and her work has been featured in multiple publications. Cindy Sherman currently lives and works in New York.

SOLO EXHIBITIONS
2016
Cindy Sherman, Metro Pictures, New York (catalogue)
Imitation of Life, Broad Museum, Los Angeles, California (catalogue)
Queensland Gallery of Modern Art, Brisbane, Australia; City Gallery, Wellington, New Zealand (catalogue)

2015
Sammlung Goetz, Munich, Germany (catalogue)

2013
Untitled Horrors, Moderna Museet, Stockholm, Sweden; Astrup Fearnley Museet, Oslo, Norway
Cindy Sherman: Early Works, Contemporary Art Space/Gucci Museum, Florence, Italy

2012
Portland Art Museum, Portland, Oregon
Gagosian Gallery, Paris, France
Metro Pictures, New York
The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis, Minnesota; Dallas Museum of Art, Dallas, Texas (catalogue)
That’s Me – That’s Not Me, Sammlung Verbund, Vertikale Galerie, Vienna, Austria (catalogue)

2011
Sprüth Magers, London, United Kingdom
Cindy Sherman: Works from Friends of the Bruce Museum, Bruce Museum, Greenwich, Connecticut (catalogue)

2010
Untitled Film Stills, National Gallery of Iceland, Reykjavík, Iceland

2009
Gagosian Gallery, Rome, Italy
Sprüth Magers, Berlin, Germany
Sprüth Magers, London, United Kingdom

2008
History Portraits, Skarstedt Gallery, New York
Metro Pictures, New York (catalogue)

2007
Sprüth Magers, London, United Kingdom

2006
Jeu de Paume, Paris, France; Kunsthaus Bregenz, Austria; Louisiana Museum for Moderne Kunst, Copenhagen, Denmark; Martin Gropius Bau, Berlin, Germany (2006-2007) (catalogue)
Metro Pictures, New York

2005
Sprüth Magers, Munich, Germany
Guild Hall, East Hampton, New York Cindy Sherman: Working Girl, Contemporary Art Museum, St. Louis, Missouri (catalogue)
Sprüth Magers, London, United Kingdom

2004
The Unseen Cindy Sherman-Early Transformations 1975/1976, Montclair Art Museum, Montclair, New Jersey (catalogue)
Kestnergesellschaft, Hanover, Germany (catalogue)
Metro Pictures, New York

2003
Cindy Sherman: Centerfolds, Skarstedt Fine Art, New York (catalogue)
Serpentine Gallery, London; Scottish National Gallery of Modern Art, Edinburgh, Scotland

2000
Hasselblad Center, Goteburg, Sweden
Gagosian Gallery, Los Angeles, California
Metro Pictures, New York
Sprüth Magers, Munich, Germany

1999
Metro Pictures, New York

1998
Metro Pictures, New York

1997
Cindy Sherman: The Complete Untitled Film Stills, Museum of Modern Art, New York
Cindy Sherman: A Selection From the Eli Broad Foundation's Collection, Museo de Bellas Artes, Caracas, Venezuela (catalogue)
Cindy Sherman: Retrospective, Museum of Contemporary Art, Los Angeles, California; Museum of Contemporary Art, Chicago, Illinois; Galerie Rudolfinum, Prague; capc Musée, Bordeaux; Museum of Contemporary Art, Sydney; Art Gallery of Ontario, Toronto, Canada (1997-2000)
Museum Ludwig, Cologne, Germany

1996
Museum Boymans-van Beuningen, Rotterdam; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; Sala de Exposiciones REKALDE, Bilbao, Spain; Staatliche Kunsthalle, Baden-Baden, Germany (catalogue)
Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame, Japan; Museum of Contemporary Art, Tokyo, Japan (catalogue)
Metamorphosis: Cindy Sherman Photographs, Cleveland Museum of Art, Cleveland, Ohio
Metro Pictures, New York

1995
Directions: Cindy Sherman - Film Stills, Hirshhorn Museum, Washington, D.C. (brochure)
Cindy Sherman Photographien 1975-1995, Deichtorhallen Hamburg, Germany; Malmo Kunsthall, Sweden; Kunstmuseum Luzerne, Switzerland (cat.)
Museu de Arte Moderna de Sao Paulo, Brazil (catalogue)
Monika Sprüth Galerie, Cologne, Germany
Metro Pictures, New York

1994
ACC Galerie Weimar, Germany (catalogue)
Manchester City Art Gallery
The Irish Museum of Modern Art, Dublin (catalogue)
Monika Sprüth Galerie, Cologne, Germany

1993
Tel Aviv Museum of Art, Tel Aviv, Israel

1992
Museo de Monterrey, Mexico (catalogue)
Metro Pictures, New York
Monika Sprüth Galerie, Cologne, Germany

1991
Basel Kunsthalle, Basel, Switzerland; Staatsgalerie Moderner Kunst, Munich, Germany; The Whitechapel Gallery, London, United Kingdom (catalogue)
Milwaukee Art Museum; Center for the Fine Arts, Miami, Florida; The Walker Art Center, Minneapolis, Minnesota (brochure)

1990
Padiglione d'arte Contemporanea, Milan, Italy (catalogue)
University Art Museum, University of California, Berkeley, California
Metro Pictures, New York
Monika Sprüth Galerie, Cologne, Germany

1989
National Art Gallery, Wellington, New Zealand; Waikato Museum of Art and History, Hamilton, New Zealand (catalogue)
Metro Pictures, New York

1988
Monika Sprüth Galerie, Cologne, Germany

1987
Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston, Massachusetts; Dallas Museum of Art, Dallas, Texas (catalogue)
Metro Pictures, New York

1985
Westfalischer Kunstverein, Munster, West Germany (catalogue)
Metro Pictures, New York

1984
Akron Art Museum; Institute of Contemporary Art, Philadelphia, Pennsylvania; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania; Des Moines Art Center, Des Moines, Iowa; The Baltimore Museum of Art, Baltimore, Maryland (catalogue)
Monika Sprüth Galerie, Cologne, Germany

1983
Musee d'Art et d'Industrie de Saint Etienne, Saint Etienne, France (catalogue)
The St. Louis Art Museum, St. Louis Missouri (brochure)
Metro Pictures, New York

1982
The Stedelijk Museum, Amsterdam, The Netherlands; Gewad, Ghent, Belgium; Watershed Gallery, Bristol, United Kingdom; John Hansard Gallery, University of Southampton, United Kingdom; Palais Stutterheim, Erlangen, West Germany; Haus am Waldsee, West Berlin, Germany; Centre d'Art Contemporain, Geneva, Switzerland; Sonja Henie-Niels Onstadt Foundation, Copenhagen; Louisiana Museum, Humlebaek, Denmark (catalogue)

1980
Contemporary Arts Museum, Houston, Texas (brochure)

SELECTED GROUP EXHIBITIONS
Photography Reinvented: The Robert E. Meyerhoff and Rheda Becker Collection, National Gallery of Art, Washington D.C.
Nothing Personal, Art Institute of Chicago, Illinois
Human Interest: Portraits from the Whitney Collection, The Whitney Museum of American Art, New York
An Imagined Museum: Works from the Pompidou, Tate and MMK Collections, Museum für Moderne Kunst, Frankfurt, Germany
The Eighties – A Decade of Extremes, Museum van Hedendaagse Kunst Antwerpen, Belgium
Witness, Museum of Contemporary Art, Chicago, Illinois
First Light: A Decade of Collecting at the ICA, Institute of Contemporary Art, Boston, Massachusetts
Nude – art from the Tate Collection, New South Wales Art Gallery, Sydney, Australia

2015
On Pictures. Strategies on Appropriation, Gegenwartskunst, Basel, Switzerland
Broad Museum, Los Angeles, California
Last Year in Marienbad: A Film as Art, Kunsthalle, Bremen, Germany
The Feminist Avant-Garde of the 1970s: Works from Sammlung Verbund Collection, Hamburger Kunsthalle, Germany (catalogue)
America Is Hard to See, The Whitney Museum of American Art, New York
Arts & Foods. Rituals since 1851, The Milan Triennial, Milan, Italy
Picasso in Contemporary Art, Deichtorhallen Hamburg, Germany (catalogue)
Queensize –Female Artists from the Olbricht Collection, me Collectors Room Berlin/Stiftung Olbricht, Berlin, Germany
Matters of Pattern, Skarstedt, New York
Cannibalism? On Appropriation in Art, Zacheta National Gallery of Art, Warsaw, Poland

2014
Bad Thoughts Stedelijk Museum, Amsterdam, The Netherlands
Urban Theater: New York Art in the 1980s, The Modern Art Museum of Fort Worth, Texas
Paparazzi! Photographers, Stars and Artists, Centre Pompidou-Metz, Paris, France. Traveled to Schirn Kunsthalle Frankfurt, Germany; Heydar Aliyev Center, Baku, Azerbaijan (2014-2015); Musee de l’Eysee, Lausanne, France (2015)
No Problem: Cologne/New York 1984–1989, David Zwirner, New York
Secrets and Lies, Museum of Contemporary Art, San Diego, California
Codex, CCA Wattis Institute for Contemporary Arts, San Francisco, California

2013
Reading Cinema, Finding Words: Art after Marcel Broodthaers,The National Museum of Modern Art, Kyoto, Japan
Eye to I… 3,000 Years of Portraits, Katonah Museum of Art, Katonah, New York
Looking Forward, Gifts of Contemporary Art from the Patricia A. Bell Collection, Montclair Art Museum, Montclair, New Jersey
Champs Elyées, Palais de Tokyo, Paris, France
Riotous Baroque: From Cattela to Zurbarán, Guggenheim, Bilbao, Spain
Glam! The Performance of Style, Kunsthalle Frankfurt, Frankfurt, Germany
Venice Biennale, 55th International Art Exhibition, Venice, Italy
Back to Earth, Gerisch Stiftung, Neumünster, Germany
Think Now, Shoot Later, MCA, Chicago, Illinois
Making it Up: Photographic Fictions, Victoria and Albert Museum, London
I, You, We, Whitney Museum of American Art, New York
Out of Fashion Photography: Embracing Beauty, Henry Art Gallery, University of Washington, Seattle, Washington

2012
The Vivisector, Sprüth Magers, London, United Kingdom
A Bigger Splash: Painting After Performance, Tate Modern, London, United Kingdom
Reflecting Fashion, Museum Moderner Kunst Mumok, Vienna, Austria
La La La Human Steps, Istanbul Museum of Modern Art, Istanbul, Turkey

2011
American Exuberance, Rubell Family Collection, Contemporary Arts Foundation, Miami, Florida
Through the Looking Brain, Kunstmuseum, St. Gallen, Switzerland; Kunstmuseum, Bonn, Germany
Surreal Versus Surrealism in Contemporary Art, Institut Valencià d’Art Modern, Valencia, Spain
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, The Nasher Museum of Art, Duke University, Durham, North Carolina
Street Life and Home Stories, Villa Stuck, Munich, Germany
Off the Wall, The Serralves Museum of Contemporary Art, Porto, Portugal
No Substitute, Glenstone, Potomac, Maryland
Aware: Art Fashion Identity, Royal Academy, London, United Kingdom
Behind the Mask, The New Art Gallery Wasall, Wasall, United Kingdom
Off the Wall: Part 1 – Thirty Performative Actions, Whitney Museum of American Art, New York
The Dissolve, Santa Fe Eighth International Biennal, Santa Fe, New Mexico

2010
Mixed Use Manhattan, Reina Sofia, Madrid, Spain
Was ist Schön? Deutsches Hygeine-Museum, Dresden, Germany
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York.
Collecting Biennials, Whitney Museum of American Art, New York

2009
Just What Is it… ZKM Zentrum Für Kunst und Medientechnologie, Karlsruhe, Germany
Beg Borrow and Steal, The Rubell Family Collection, Miami, Florida
Third ICP Triennial of Photography and Video, International Center of Photography Museum, New York
Manipulating Reality, Centro di Cultura Contemporanea a Palazzo Strozzi, Florence, Italy
Masken, Kunsthistorisches Museum, Vienna, Austria
Mapping the Studio: Artists from the Francois Pinault Collection, Punta Delle Dogana/Palazzo Grassi, Venice, Italy
The Pictures Generation: 1974 – 1984, The Metropolitan Museum of Art, New York
Into the Sunset, Museum of Modern Art, New York
Un Certain État du Monde? Garage Center for Contemporary Culture, Moscow, Russia

2008
Street and Studio, Tate Modern, London, United Kingdom; Museum Folkwang, Essen, Germany (2008-2009) (catalogue)
The Broad Contemporary Art Museum, Los Angeles County Museum of Art, Los Angeles, California

2007
WACK! Art and the Feminist Revolution, The Museum of Contemporary Art, Los Angeles; National Museum of Women in the Arts, Washington D.C.; MoMA PS1, Long Island City, New York (2007-2008) (catalogue)
Theater without Theater, Museum of Contemporary Art, Barcelona, Spain;
Museum Ludwig, Cologne, Germany
Held Together With Water, Sammlung Verbund, MAK, Vienna, Austria (catalogue)
Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, United Kingdom (catalogue)
Sammlung Verbund, MAK, Vienna, Austria (catalogue)
Wrestle, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York (catalogue)
Portrait/Homage/Embodiment, Pulitzer Foundation for the Arts, St. Louis, Missouri

2006
Masquerade: Role Playing in Self-Portraiture, Los Angeles County Museum of Art, Los Angeles, California
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, The Museum Ludwig, Cologne, Germany
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco (catalogue)
Into Me / Out of Me, MoMA PS1, Long Island City, New York; KW Institute for Contemporary Art, Berlin, Germany; MACRO Museo d'Arte Contemporanea, Rome, Italy (2006-2007) (catalogue)
WHERE ARE WE GOING: Selections from the Francios Pinault Collection, Palazzo Grassi, Venice, Italy
Masquerade, Museum of Contemporary Art, Sydney, Australia

2005
Contemporanea, Fundación Juan March, Madrid, Spain, (catalogue)
Vertiges, Printemps de septembre a Toulouse Festival of Contemporary Images, Toulouse, France
Flashback: Revisiting the Art of the Eighties, Kunstmuseum Museum for Gegenwartskunst, Basel, Switzerland (catalogue)

2004
Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece (catalogue)
Fashioning Fiction - In Photographing Since 1990, Museum of Modern Art, New York (catalogue)
La Grande Parade – Portrait de L\'artiste en Clown, Galeries nationals du Grand Palais, Paris; National Gallery of Canada, Ottawa, Canada (catalogue)
Disparities & Deformations – Our Grotesque, 5th International Site Santa Fe Bienniale, Site Santa Fe, New Mexico (catalogue)
Shanghai Biennale - Techniques of the Visible, Shanghai Art Museum, China (catalogue)

2003
Pletskud, Arken Museum for Moderne Kunst, Skøvej, Germany
The Last Picture Show: Artists Using Photography 1960-1982, Walker Art Center, Minneapolis, Minnesota; UCLA Hammer Museum, Los Angeles, California; Miami Art Central, Miami, Florida (catalogue)

2002
Tableaux Vivants, Kunsthalle Wien, Vienna, Austria (catalogue)
Hautnah - The Goetz Collection, Museum Villa Stuck, Munich, Germany (catalogue)
Moving Pictures, Solomon R. Guggenhein Museum, New York
Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York (catalogue)
Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago, Illinois (catalogue)

2001
Double Life, Generali Foundation, Vienna, Austria (catalogue)
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, Los Angeles County Museum of Art, Los Angeles, California; Museum of Fine Arts, Boston, Massachusetts
ABBLID: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria (catalogue)

2000
Let's Entertain, Walker Art Center, Minneapolis, Minnesota (catalogue); Centre Georges Pompidou, Paris, France; Portland Art Musuem, Portland, Oregon; Museo Rufino Tamayo, Mexico City, Mexico (catalogue); Kunstmuseum Wolfsburg, Wolfsburg, Germany; Miami Art Museum, Miami, Florida (catalogue)
Open Ends, Museum of Modern Art, New York
Hyper Mental, Kunsthaus Zürich, Zürich, Switzerland (November 17, 2000 - January 21, 2001); Hamburger Kunsthalle, Hamburg, Germany (catalogue)
Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman, Grey Art Gallery, New York University; Museum of Contemporary Art, Miami, Florida

1999
Gesammelte Werke 1: Zeitgenössische Kunst seit 1968, Kunstmuseum, Wolfsburg, Wolfsburg, Germany
Notorious, Museum of Modern Art, Oxford, United Kingdom
The American Century, Whitney Museum of American Art, New York (catalogue)
Inverted Odysseys, Grey Art Gallery, New York (catalogue)
The Century of the Body: Photoworks 1900-2000, Musée de l'Elysée, Lisbon, Portugal
Triennale Exhibition: Sentiment of the Year 2000, Triennale di Milano, Milan, Italy
Regarding Beauty, Hirshhorn Museum, Washington, D.C. (catalogue)

1998
Mirror Images: Women, Surrealism and Self-Representation, MIT List Center, Cambridge, Massachusetts; Miami Art Museum; San Francisco Museum of Modern Art, San Francisco, California

1997
Gender Performance in Photography, Soloman R. Guggenheim Museum, New York (catalogue)
On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York (catalogue)
Von Beuys bis Cindy Sherman Sammlung Lothar Schirmer, Kunsthalle, Bremen, Germany (catalogue)

1996
L'Informe: le Modernisme a Rebours, Centre Georges Pompidou, Musée National d'Art Moderne, Paris, France (catalogue)
Hall of Mirrors: Art and Film Since 1945, The Museum of Contemporary Art, Los Angeles; The Wexner Center for the Arts, Columbus, Ohio; Palazzo delle Esposizioni, Rome, Italy; The Museum of Contemporary Art, Chicago, Illionis (catalogue)
Biennale di Firenze, Florence, Italy (catalogue)

1995
Projections, Ydessa Hendeles Art Foundation, Toronto, Canada
1995 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)
Zeichen & Wunder, Kunsthaus Zurich, Switzerland (catalogue)
XLVI Esposizione Internazionale d'Arte 1995, La Biennale di Venezia, Venice, Italy (catalogue)
FeminiMasculin: Le Sexe de l'Art?, Centre Georges Pompidou, Musée d'Art Moderne, Paris, France (catalogue)
1995 Carnegie International, The Carnegie Museum of Art, Pittsburgh, Pennsylvania (catalogue)

1994
World Morality, Kunsthalle, Basel, Switzerland (catalogue)
Body and Soul, The Baltimore Museum of Art, Baltimore, Maryland
Jurgen Klauke - Cindy Sherman, Sammlung Goetz, Munich (catalogue)

1993
Louise Lawler, Cindy Sherman, Laurie Simmons, Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki, Finland (catalogue)
1993 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)
American Art of This Century, Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts, London, United Kingdom (catalogue)

1992
Post Human, Musée d'Art Contemporain, Pully/Lausanne, Switzerland; Castello di Rivoli, Turin; Deste Foundation, Athens; Deichtorhallen, Hamburg, Germany; Israel Museum, Jerusalem, Israel (catalogue)

1991
Whitney Biennial, Whitney Museum of American Art, New York (catalogue)
Metropolis, Martin-Gropius-Bau, Berlin (catalogue)

1990
Culture and Commentary, The Hirshhorn Museum, Washington, D.C. (catalogue)
Energies, The Stedelijk Museum, Amsterdam, The Netherlands (catalogue)
The Readymade Boomerang, Eighth Biennial of Sydney, Sydney, Australia (catalogue)

1989
A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary Art, Los Angeles, California (catalogue)
Bilderstreit, Mense Rhineside Halls, Cologne, Germany
Image World: Art and Media Culture, Whitney Museum of American Art, New York (catalogue)

1987
Avant-Garde in the Eighties, Los Angeles County Museum of Art (catalogue)
Implosion: A Postmodern Perspective, Moderna Museet, Stockholm (catalogue)

1986
Art and Its Double: A New York Perspective, Fundacio Caixa de Pensions, Barcelona; La Caixa de Pensions, Madrid, Spain (catalogue)
Individuals: A Selected History of Contemporary Art, 1945-1986, Museum of Contemporary Art, Los Angeles (catalogue)
The American Exhibition, The Art Institute of Chicago (catalogue)

1985
1985 Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania (catalogue)
Whitney Biennial, Whitney Museum of American Art, New York (catalogue)

1984
Alibis, Centre Pompidou, Musee d'Art Moderne, Paris (catalogue)
Content: A Contemporary Focus, 1974-84, Hirshhorn Museum, Washington, D.C. (catalogue)
The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney, Australia (catalogue)

1983
Directions 1983, Hirshhorn Museum, Washington, D.C. (catalogue)
Whitney Biennial, Whitney Museum of American Art, New York (catalogue)
The New Art, Tate Gallery, London, United Kingdom
Metro Pictures, New York

1982
Documenta 7, Kassel, West Germany (catalogue)
Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis, Minnesota (catalogue)
La Biennale di Venezia, Venice, Italy (catalogue)
Metro Pictures, New York

1981
Metro Pictures, New York

1980
Metro Pictures, New York

FILM AND VIDEO DIRECTION

1997
"Office Killer," Directed by Cindy Sherman, feature-film starring Molly Ringwald, Carol Kane, Jeanne Tripplehorn, Barbara Sukowa, Good Machine and Kardana/Swinsky Films

MONOGRAPHS

2008
Francesco Bonami (ed.), Cindy Sherman, Mondadori Electa S.p.A., Milan, Italy

2007
A Play of Selves, Hatje Cantz Verlag, Metro Pictures, New York
Julie Rouard (ed.), Cindy Sherman, Jeu de Paume & Flammarion, Paris, France

2006
Johanna Burton, Cindy Sherman, The October Files, MIT Press, Boston, Massachusetts

2005
Working Girl, Essay by Catherine Morris, Contemporary Art Museum St. Louis, Missouri

2004
Clowns, Schirmer/Mosel, Hannover, Germany
2003
The Complete Untitled Film Stills, Museum of Modern Art, New York
Centerfolds, Skarstedt Fine Art, New York
Cindy Sherman, Serpentine Gallery, London, United Kingdom

2001
Hysteric Two, Hysteric Glamour, Tokyo, Japan

2000
Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn Horowitz Bookseller, New York
Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center, Goteborg, Sweden

1999
The Essential Cindy Sherman, The Wonderland Press/Abrams, New York

1997
Retrospective, Museum of Contemporary Art, Los Angeles, California
Katharina Schmidt & Marc Scheps, Cindy Sherman, Museum Ludwig, Cologne, Germany
Cindy Sherman: A Selection From the Eli Broad Foundation's Collection, essays by Frederica Palomero & Joanne Heyler, Museo de Bellas Artes, Caracas, Venezuela

1996
Cindy Sherman, essays by Betty van Garrel, Verena Lueken, Hal Foster, Margrit Brehm, Peter Schjeldahl, Museum Boijmans-van Beuningen, Rotterdam
Cindy Sherman, essays by Amelia Arenas, Chika Mori, Akio Obigane, sachiko Osaki, interview with Noriko Fuku, Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art; Museum of Contemporary Art, Tokyo

1995
Christa Schneider, Cindy Sherman: History Portraits, Schirmer Mosel, Munich
Cindy Sherman: Photoarbeiten 1975-1995, introduction by Zdenek Felix and Martin Schwander, text by Elisabeth Bronfen and Ulf Erdmann Ziegler, Deichtorhallen Hamburg, Malmo Konsthall, Kunstmuseum Luzern, Switzerland
Cindy Sherman: The Self Which Is Not One, essay by Carlos Basualdo, Museu de Arte Moderna de Sao Paulo, Brazil

1993
Rosalind Krauss, Cindy Sherman: 1975-1993, Rizzoli, New York

1991
Cindy Sherman, essay by Thomas Kellein, Basel Kunsthalle, Basel; Whitechapel Art Gallery, London; Staatsgalerie Moderner Kunst, Munich
History Portraits, essay by Arthur C. Danto, Rizzoli, New York and Schirmer/Mosel, Munich
Cindy Sherman: Specimens, Art Random: Kyoto Shoin International

1990
Untitled Film Stills Cindy Sherman, essay by Arthur Danto, Schirmer Mosel, Munich and Rizzoli, New York
Cindy Sherman, Mazzotta, Milan, Italy

1989
Cindy Sherman, essays by Robert Leonard and Priscilla Pitts, The National Art Gallery, New Zealand

1987
Cindy Sherman, essays by Peter Schjeldahl and Lisa Phillips, Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston, Massachussetts; The Dallas Museum of Art, Dallas, Texas
Cindy Sherman, essays by Peter Schjeldahl and Els Barents, Schirmer/Mosel, Munich, Germany
Cindy Sherman, Parco Co., Ltd, Tokyo, Japan

1985
Cindy Sherman, essay by Marianne Stockebrand, Westfalischer Kunstverein, Munster, Germany

1984
Cindy Sherman, Laforet Museum, Tokyo, Japan
Cindy Sherman, essays by Peter Schjeldahl and I. Michael Danoff, Pantheon Books, New York

1983
Cindy Sherman, essay by Christian Caujolle, Musee d'Art et d'Industrie Saint-Etienne, France

1982
Cindy Sherman, Stedelijk Museum, Amsterdam, The Netherlands

SELECTED BIBLIOGRAPHY

2008
Mark Stevens, "How I Made It: Cindy Sherman on her 'Untitled Film Stills,'" New York, April 14, pp. 78-79

2007
Catherine Millet, "Cindy Sherman/Nicolas Ghesquire," French Vogue, August, pp. 158-165
Gabriele Schor, "Cindy's Original Scene," Held Together With Water, Sammlung Verbund, Hatje Cantz, Ostfildern, pp. 46-71
Panic Attack! Art in the Punk Years, Mark Sladen and Ariella Yedgar (ed.), Merrell Publishers
Limited, London, pp. 156-161
Wrestle: Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, pp. 52-69
Cindy Sherman and Johanna Burton, "1,000 Words: A Play of Selves," Artforum, January, pp. 232-233

2006
Klaus Biesenbach (ed.), Into Me / Out of Me, Hatje Cantz Verlag, Ostfildern, pp. 424-425
The 80's: A Topology, Ulrich Loock (ed), Museu Serralves, Portugal, pp. 288-293
Gabriele Schor, "Cindy's Original Scene: Doll Clothes," Parkett, No.78, pp. 24-28
Germano Celant and Lisa Dennison, New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Skira, Monaco, pp. 348 – 349.
No. 1, Francesca Richer and Matthew Rosenzweig (ed.), D.A.P., New York, p. 344
Superstars: von Warhol bis Madonna, Kunsthalle Wien & BA-CA Kunstforum, pp. 222, 223, 267-271
Hal Foster et al., Art Since 1900, Thames & Hudson, United Kingdom
Johanna Burton, "Cindy Sherman: Retrospective," Artforum, May, pp. 110-111.
"Une Vision Qui Se Deploie," interviewed by Arthur Danto, Art Press, May, pp. 24 – 31
J.M. Bernstein, Against Voluptuous Bodies, Stanford University Press, California, pp. 253 - 323

2005
Hatje Cantz Verlag, Flashback: Revisiting the Art of the 1980s, Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland

2004
Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, pp. 358-359
Richard B. Woodward, "Fun to Look Different," Art News, May, p. 108
Roberta Smith, "The Ever-Shifting Selves of Cindy Sherman, Girlish Vamp to Clown," New York Times, 28 May, E33
Jan Avgikos, "Reviews – Cindy Sherman, Metro Pictures," Artforum, September, p. 265

2003
"Cindy Sherman Talks to David Frankel," interview with David Frankel, Artforum, March, pp. 54-55, 259-260
Molly Nesbit, "Bright Light, Big City: The 80s Without Walls," Artforum, pp. 184-189, 245-8
Tom Lubbock, "The Make-up Girl," The Independent Review, London, pp. 14-15
Gabby Wood, "I'm Every Woman…," The Observer, London, May 18
Charlotte Mullins, "Living Doll," Financial Times, London, June 7
Betsy Berne, "Studio Visit: Cindy Sherman," TATE Arts and Culture, London, May/June, pp. 36-42
Simon Ford, "Head to Head: Cindy Sherman and Barbara Kruger in London," Art Monthly, London, July-August 2003, no. 268, pp. 35-37 (cover)
John Slyce, "Beyond Recognition: The Unidentifiable Cindy Sherman," Portfolio, London, December, No. 38, pp. 42-49

2002
Art History Aesthetics Visual Studies, editors Michael Ann Holly & Keith Moxey, essay by Michael Kelly, Yale University Press, New Haven, pp. 122-146
Hautnah - The Goetz Collection, Museum Villa Stuck, Munich pp. 82-5
Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, pp. 130, 140, 221
Art Now, Uta Grosenick & Burkhard Riemschneider (ed.), Taschen, Cologne, pp. 452-5

2001
David Gleeson, "Reviews - Cindy Sherman," Time Out London, January 3-10, p. 52
Cheryl Kaplan, "Cindy Sherman," Tema Celeste, January-February, p. 91
Edward Leffingwell, "Cindy Sherman at Metro Pictures," Art in America, June, p.126
Double Life, Sabine Breitwieser (ed.), Generali Foundation, Vienna, Austria
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, Los Angeles County Museum of Art, California
ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria
American Visionaries, Whitney Museum of American Art, New York, p. 278

2000
David Pagel, "Sherman is the Very Picture of How Others Fall Short," Los Angeles Times, 14 April, F22
Inverted Odysseys, Claude Cahun, Maya Deren, Cindy Sherman, ed. by Shelly Rice, Massachussets Institute of Technology; Grey Art Gallery, New York University; Museum of Contemporary Art, North Miami
Calvin Tompkins, "Her Secret Identities," The New Yorker, May, pp. 74-83
Charles Gandee, "Women on the Verge," Talk, May, p. 46
Éva Forgács, "Cindy Sherman," Art Issues, September/October, p. 46
Wayne Koestenbaum, "Fall Gals," Artforum, September, pp. 148-151 (and cover)
Vince Aletti, "The Lady Vanishes," Village Voice, 21 November, p. 85
Michael Kimmelman, "Cindy Sherman," New York Times, 24 November, p. E36
Linda Yablonsky, "Vanity Fare," Time Out New York, Nov. 30 - Dec. 7, p. 91
Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2, 3, 4, 5, 6, 41, 230, 347
Hyper Mental, Kunsthaus Zürich/Hamburger Kunsthalle, Germany, p. 101
Andrew Wilson, "Cindy Sherman," Art Monthly, December-January, pp. 33-4

1999
Peter Schjeldahl, "Valley of the Dolls," The New Yorker, 7 June, pp. 94-95
Lilly Wei, "Cindy Sherman: Metro Pictures," Artnews, September, p. 147
Brook S. Mason, "Sherman's March," Artnews, September, p. 72
Mark Van Proyen, "Cindy Sherman," New Art Observer, October, p. 46
Jutta Koether, "Old Witnesses," Camera Austria, Graz, no. 67, pp. 18-29 (and cover illustration)
Barbara Pollack, "The 10 Best Living Artists: Self-Denial," Artnews, December, p. 146
Dave Hickey, "Best of the 90's," Artforum, December, pp. 112-3
Janet Kraynak, "Cindy Sherman at Metro Pictures," Documents, Fall, pp. 54-8

1998
Claire Carolin, "Cindy Sherman: History Portraits," Contemporary Visual Arts, issue. 17, p. 75
R. Forgáes, "Cindy Sherman," Art Issues, January/February, p. 48
Miranda Sawyer, "The Invisible Woman," The Observer (Life Weekend Segment), England, pp. 14-19
"200 Women Legends, Leaders and Trailblazers," Vanity Fair, November, p. 250

1997
Phoebe Hoban, "Sherman's March," Vogue, February, pp. 240-3, 278
Noriko Fuku, "A Woman of Parts," Art in America, June, pp. 74-81, 125
Herbert Muschamp, "Knowing Looks," Artforum, Summer, pp. 106-111
Peter Plagens, "The Odd Allure of Movies Never Made," Newsweek, June 30, pp. 74-5
Mark Stevens, "Performance Anxiety," New York, July 7, pp. 58-9
Roberta Smith, "Film Starlet Clichés, Genuine and Artificial at the Same Time," New York Times, Arts and Leisure, 27 June, C23
Helen Molesworth, "The Comfort of Objects: Helen Molesworth on Cindy Sherman's 'Untitled Film Stills' 20 Years on," Frieze, London, September/October, pp. 45-47
Christopher Knight, "Camera Ready," Los Angeles Times, 2 November, pp. 5, 92
Roberta Smith, "A Horror Movie, Complete with Zombies," The New York Times, November 30, p. 41
Andrew Johnston, "Office Killer," Time Out, December 4-11, p. 83
John Anderson, "Office Killer Takes Aim at Horror Genre," The Los Angeles Times, December 5

1996
Dike Blair, "A Chat with Cindy Sherman," Flash Art, March/April, p. 82
Hilton Als, "She Came From SoHo," The New Yorker, 22 April, pp. 38-39

1995
Peter Schjeldahl, "Master Class," The Village Voice, February 7, p. 77
Dike Blair, "Cindy Sherman - Metro Pictures," Flash Art, March - April, p. 103
Neville Wakefield, "Cindy Sherman," Artforum, April, p. 89
Kim Paice, "Cindy Sherman," Art in America, May, pp. 112-3
Ken Johnson, "Cindy Sherman," Art in America, May, pp. 112-3
Michael Kimmelman, "Portraitist in the Halls of Her Artistic Ancestors," New York Times, 19 May, C1, C7

1994
Andrew Menard, "Cindy Sherman: The Cyborg Disrobes," Art Criticism, vol. 9, no. 2, pp. 38-48
Emily B. Greenberg, "Cindy Sherman and the Female Grotesque," Art Criticism, vol. 9, no. 2, pp. 49-55
From Beyond the Pale - Cindy Sherman Photographs 1977-1993, Irish Museum of Modern Art, Dublin
Jurgen Klauke - Cindy Sherman, Sammlung Goetz, Munich

1993
Jan Avgikos, "Cindy Sherman: Burning Down the House," Artforum, Jan., pp. 74-9
Louise Lawler, Cindy Sherman, Laurie Simmons, Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki
Rosalind E. Krauss, "Cindy Sherman's Gravity: A Critical Fable," Artforum, September, pp. 163-164, 206

1992
Cindy Sherman, Fitcher's Bird, Rizzoli, New York
Judith Williamson, "Images of 'Women': The Photography of Cindy Sherman," Knowing Women: Feminism and Knowledge, Great Britian: The Open University, pp. 222-25 (reprint from Screen, 1982)
Elizabeth Bronfen, Over Her Dead Body, Manchester University Press
Amei Wallach, "Tough Images to Face," Los Angeles Times, June 7
Brian D'Amato, "Cindy Sherman: Limbless Hermaphrodites and Dismembered Devil Dogs," Flash Art, Summer, p. 107

1991
Currents 18: Cindy Sherman, Milwaukee Museum of Art
Hugo Williams, "Her Dazzling Career, Cindy Sherman at the Saatchi Collection," Times Literary Supplement, London, 11 January, p. 10
Laura Mulvey, "A Phantasmagoria of the Female Body: The Work of Cindy Sherman," New Left Review, #188, July-August, pp. 136-51
Ursula Pia Jauch, "I am Always the Other," Parkett, Zurich, no. 29, pp. 74-80
Elfriede Jelinek, "Sidelines," Parkett, no. 29, pp. 82-90
Norman Bryson, "The Ideal and the Abject," Parkett, Zurich, no. 29, pp. 91-102
Wilfried Dickhoff, "Untitled Nr. 179," Parkett, Zurich, no. 29, pp. 103-111
Abigail Solomon-Godeau, "Suitable for Framing," Parkett, Zurich, no. 29, pp. 112-121

1990
Roberta Smith, "A Course in Portraiture by an Individualist with a Camera," New York Times, Arts and Leisure, 5 January, p. C19
Glenn Collins, "A Portraitist's Romp through Art History," New York Times, 2 February, C17, C20
Peter Schjeldahl, "Portrait: She is a Camera," 7 Days, 28 March, pp. 17-19
Brooks Adams, "Cindy Sherman at Metro Pictures," Art in America, June, p. 172
"Insert: Cindy Sherman," Parkett, Zurich, no. 24, pp. 119-133

1989
Rick Woodward, "Film Stills," Film Comment, April, pp. 51-4
David Rimanelli, "New York: Cindy Sherman, Metro Pictures," Artforum, Summer, p. 165
Peter Plagens, "Into the Fun House," Newsweek, August 21, pp. 52-7

1987
Roberta Smith, "Art: Cindy Sherman at Metro Pictures," The New York Times, May 8
Gerals Marzorati, "Sherman's March," Vanity Fair, October
Michael Brenson, "Art: Whitney Shows Cindy Sherman Photos," The New York Times, July 24, C31
Arthur C. Danto, "Art: Cindy Sherman," The Nation, 15-22 August, pp. 134-137
Ken Johnson,"Cindy Sherman and the Anti-Self: An Interpretation of Her Imagery," Arts Magazine, November, pp. 47-53

1986
Stephen W. Melville, "The Time of Exposure: Allegorical Self-Portraiture in Cindy Sherman," Arts Magazine, January, pp. 17-21
Deborah Drier, "Cindy Sherman at Metro Pictures," Art in America, January

1985
Gerald Mazeroti, "Self-Possessed," Vanity Fair, October
Andy Grundberg, "Cindy Sherman's Dark Fantasies Evoke a Primitive Past," The New York Times, October 20

1984
Jamey Gambrell, "Marginal Acts," Art in America, March, pp. 114-9
Lisa Liebman, "Cindy Sherman, Metro Pictures," Artforum, March, p. 95
Rosemary Robotham, "One-Woman Show: Cindy Sherman Puts Her Best Face Foward," Life Magazine, June, pp. 14-22

1983
Kate Linker, "Cindy Sherman, Metro Pictures," Artforum, January, p. 79
Currents 20. Cindy Sherman, essay by Jack Cowart, St. Louis Art Museum
Gerald Marzorati, "Imitation of Life," Art News, September, pp. 78-87 (cover)
Lee Lescaze, "Making Faces: A Photographer Dressed up for Success," The Wall Street Journal, November 15, p. 32
Vicki Goldberg, "Portrait of a Photographer as a Young Artist," New York Times, 23 October
Roberta Smith, "Art," Village Voice, November 29, p. 119
Judith Williamson, "Images of 'Woman': The Photographs of Cindy Sherman," Screen, London, November/December, pp. 102-116

1982
Jamey Gambrell, "Cindy Sherman, Metro Pictures," Artforum, February, pp. 85-6
Peter Schjeldahl, "Shermanettes," Art in America, March, pp. 110-1
Richard Rhodes, "Cindy Sherman's 'Film Stills'," Parachute, September-October, pp. 4-7 (and cover)

1981
Richard Flood, "Cindy Sherman, Metro Pictures," Artforum, March, p. 80
Douglas Crimp, "The Photographic Activity of Postmodernism," October, no. 15, Winter, pp. 99-102
Andy Grundberg, "Cindy Sherman: A Playful and Political Post Modernist," New York Times, 22 November

1980
Cindy Sherman: Photographs, essay by Linda Cathcart, Contemporary Arts Museum, Houston
Craig Owens, "The Allegorical Impulse: Toward a Theory of Postmodernism, Part 2," October 13, Summer, pp. 59-80
1979
Douglas Crimp, "Pictures," October 8, Spring, pp. 75-88

AWARDS AND GRANTS

2005
Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts
Honoree at New Museum Annual Benefit

2003
American Academy of Arts and Sciences Award

2002
National Arts Award

2001
New York State Governor's Arts Award

2000
The Hasselblad Foundation

1999
Goslar Kaiserring Prize

1997
Wolfgang-Hahn-Preis (Gesellschaft fur Moderne Kunst am Museum Ludwig)

1995
John D. and Catherine T. MacArthur Foundation

1993
Larry Aldrich Foundation Award, Connecticut

1989
Skowhegan Medal for Photography, Maine

1983
John Simon Guggenheim Memorial Fellowship

1977
National Endowment for the Arts

SELECTED MUSUEM AND PUBLIC COLLECTIONS
Albright-Knox Art Gallery, Buffalo, New York
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of Ontario, Toronto, Canada
Art Institute of Chicago, Chicago, Illinois
Australian National Gallery, Canberra, Australia
Baltimore Museum of Art, Baltimore, Maryland
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Centre Georges Pompidou, Paris, France
Centro de Arte Reina Sofia, Madrid, Spain
Corcoran Gallery of Art, Washington D.C.
Dallas Museum of Fine Arts, Dallas, Texas
Des Moines Art Center, Des Moines, Iowa
Fotomuseum Winterthur, Winterthur, Switzerland
Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany
Israeli Museum, Jerusalem, Israel
Kunsthaus, Zurich, Switzerland
Kunsthalle Hamburg, Germany
Kunstmuseum Wolfsburg, Germany
Los Angeles County Museum of Art, Los Angeles, California
Louisiana Museum, Humlebaek, Denmark
Metropolitan Museum of Art, New York
Moderna Museet, Stockholm, Sweden
Modern Art Museum of Fort Worth, Texas
Musée d'art Contemporain, Montréal, Canada
Museum Boymans-van Beuningen, Rotterdam, The Netherlands
Museum des 20, Jahrhunderts, Vienna, Austria
Museum Folkwang, Essen, Germany
Museum Ludwig, Cologne, Germany
Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Helsinki, Finland
Museum of Contemporary Art, Los Angeles, California
Museum of Contemporary Art, Luxembourg
Museum of Fine Arts, Boston, Boston, Massachusetts
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, New York
Museum of Modern Art, Oslo, Norway
New Britain Museum of American Art, New Britain, Conneticut
Philadelphia Museum of Art, Philadelphia, Pennslyvania
Rijksmuseum Kroller-Muller, Otterlo, The Netherlands
San Francisco Museum of Modern Art, San Francisco, California
Scottish National Gallery, Edinburgh, Scotland
Solomon R. Guggenheim Museum, New York
Sprengel Museum, Hannover, Germany
St. Louis Art Museum, St. Louis, Missouri
Staatsgalerie Stuttgart, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Tamayo Museum, Mexico City, Mexico
Tate Gallery, London, United Kingdom
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Victoria and Albert Museum, London, United Kingdom
Wadsworth Atheneum, Hartford, Connecticut
Walker Art Center, Minneapolis, Minnesota
Whitney Museum of American Art, New York